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About portfoliolongo.com

ARTIST'S STATEMENT: I want my artwork to comfort the afflicted and to afflict the comfortable. I want it to shed light and call attention to beauty, coherence, and unity; and, I want it to cast doubt on falsehoods, oversimplifications, and absurdities. I’d like to be instrumental in deepening our awareness and appreciation of the fullness of life, including its complexities, ambiguities, and paradoxes. I draw and paint on an iPad with an Apple Pencil or my fingers using a variety of drawing/painting apps; although, I still work in wood and clay as well. iPads are portable and versatile, require little set up, and there’s no clean up. They’re the perfect medium for what I do. I can quickly convert ideas into illustrations and share them or time-lapse videos of them on social media. I can also prepare the images for printing on metal, paper, and canvas surfaces in a variety of sizes. BIOGRAPHY: Paul Longo has lived a relatively unconventional life. In his youth, he plowed through dyslexia (before teachers had ever heard of it) and learned that there is, indeed, more than meets the eye. In college, he read Don Quijote in Spanish for the first time and discovered an interest in anthropology. He went on to complete 3 graduate degrees and has lived and worked in 7 countries and 9 states since then. Paul has taught anthropology, education, Spanish, research and evaluation methods, and ESL at 6 different universities. These days he teaches digital art to adults with developmental disabilities and non-credit ESL to adults at a local community college. Paul was also a Benedictine monk and lived in a monastery for nearly 8 years, until he met and married his wife. Together they were survivors of Hurricane Katrina as residents of New Orleans. But it was not until 2013, while living in a downtown loft in Des Moines, Iowa, that Paul complained to his wife, a CIO in higher education, about not having either a basement or a garage in which to make art. A few days later she gave Paul her old iPad with an installed drawing app and said, “here’s a studio for your lap.” Since then, not only have iPads become larger and more powerful, but the number of drawing and painting apps has increased and each one offers a unique set of features to create original artwork. Nowadays, Paul takes his "studio” everywhere he goes. Throughout his eclectic journey, Paul has created and shared his art to make sense of the world, to give voice to new identities and experiences, and to engage more intentionally with others. To view more of Paul Longo’s works, digital and otherwise, visit his social media sites: www.portfoliolongo.com, twitter, YouTube, Instagram: @plongeaux, Facebook: Paul J. Longo

Robert E. Lee Shook the Hand of Ely S. Parker

Lieutenant Colonel Ely S. Parker, whose photo can be found by clicking here , (born Hasanoanda, later known as Donehogawa), a Seneca lawyer, engineer, and tribal diplomat, was present when Confederate General Robert E. Lee (See drawing below) surrendered at Appomattox Courthouse in April 1865.

At the surrender meeting, seeing that Parker was an American Indian, General Lee remarked to Parker, “I am glad to see one real American here.” Parker later stated, “I shook his hand and said, ‘We are all Americans’.”  (Sources for further general reading: this and that.)

Parker went on to head up the Bureau of Indian Affairs and collaborated with American anthropologist Lewis Henry Morgan. Read on, by all means!

Robert E. Lee

Technical:

When my wife and I lived in Charlottesville, VA in the mid 1990s, I developed an interest in Robert E. Lee for reasons that continue to intrigue me, not the least of which is related to my having read Don Quijote de La Mancha as both an undergraduate and a graduate student. I’m fascinated by the man and how he is viewed in retrospect.

The reference photo I used can be found here along with others. I imported the photo into Procreate, drew it freehand using various brushes to apply and smudge color, and cropped it out. I could have spend more time on this one.

The Sooner the Better

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Coast to Coast 4.1: No Turbulence (east to west)

This one’s related to a drawing I did a few days ago while traveling from west to east.
No turbulence (east to west)

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Turbulence (west to east)

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Coast to Coast 3: Lucky Midnight Dog?

What? OK, between Phoenix and San Jose I opened up Paper 53 to pass the time at 35,000 ft. There’s nothing Southwest Airlines about this one, well maybe indirectly.

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Coast to Coast 2: Flying Fat Tire

Here’s how I used my drink voucher from Philly to Phoenix: studying!

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Coast to Coast 1: Line Up in Philly

UPDATE (October 14, 2015) I’m happy to report that this piece, on aluminum (12″W x 9″ H x 2″D) and in a much higher resolution sold on Vango [click here for more information].

Now back to the original post from Nov. 29, 2014:
Southwest’s cattle-call methodology…once you’re on the plane, everyone’s in first class…or is that last class?

Philly Airport

Philly Airport

Done in Procreate

What Would Ruth Do?

I admire Ruth Bader Ginsburg. So I search through some Google images and found this one, saved it, cropped it, imported it into Procreate, and used it as a side-by-side reference in a freehand drawing with some liberties and justice for all.

Another progress video…click here.