Black and Gold Fever

I needed a “yinz” refrigerator magnet to go with our “jagoff” magnet. The display at the Pittsburgh International Airport sports and sociolinguistics paraphernalia shop was attractive. This digital painting took 2 hours and 25 minutes, and I used the Sketch Club app, my iPad Pro, and Apple Pencil to execute 3,040 brush strokes followed by a tweak or two in iColorama.
PIT to DFW

Bodacious Katie

Quick sketch of Chicago’s own Katie Kadan, 2019 finalist on The Voice, see her bio here.
[Sketch Club stats: 1,081 brush strokes, 2 layers, 19 undos, Time: 34 minutes; Brush: 433; Sketchy: 265; and Smudge: 383]

Katie Kadan, 2019 finalist, The Voice

Photo Reference for freehand rendition on iPad Pro with Apple Pencil:

Our Annual Christmas Letter: N

At our recent annual retreat the Board of Directors, executive leadership, management, staff, interns, volunteers, and special guests selected N as the letter that best epitomizes our mission-driven 2019 portfoliolongo.com efforts. From our family to yours, Happy Holidays and, if applicable, Merry Christmas.

Jim Foote Senior, AA 1284, DFW to FAT

On our flight from Dallas/Fort Worth to Fresno I asked Mr. Foote, who will turn 90 soon, if I could draw him, and he said, sure. While I sketched, he told me stories. I learned a lot! I found out he’s an author, an illustrator, and a retired educator. Check him out on Amazon  by clicking here. What a blessing, especially after a such a blessed reunion with my sister and brother and their loved ones!

Looking Back

Earlier today I heard Terry Gross on Fresh Air interview Christopher Wylie, the Cambridge Analytica whistleblower and author of Mindf*ck: Cambridge Analytica and the Plot to Break America; click here to listen to that interview, access the transcript, and purchase the book if you’re so inclined. Wylie outlines how in the months leading up to the 2016 presidential election in the United States Cambridge Analytica, Steve Bannon, teams of well-financed social scientists, and some sophisticated Facebook algorithms targeted and harnessed the residual power of an interesting demographic, i.e., straight white men who felt humiliated and emasculated by marginalizing forces well beyond their control. They were manipulated and promised a return to an imaginary golden era that fortunately never existed. I’m considering getting the book. The title says it all! The interview prompted this:

an iPad drawing using Sketch Club and iColorama