About portfoliolongo.com
ARTIST'S STATEMENT:
I want my artwork to comfort the afflicted and to afflict the comfortable. I want it to shed light and call attention to beauty, coherence, and unity; and, I want it to cast doubt on falsehoods, oversimplifications, and absurdities. I’d like to be instrumental in deepening our awareness and appreciation of the fullness of life, including its complexities, ambiguities, and paradoxes.
I draw and paint on an iPad with an Apple Pencil or my fingers using a variety of drawing/painting apps; although, I still work in wood and clay as well. iPads are portable and versatile, require little set up, and there’s no clean up. They’re the perfect medium for what I do. I can quickly convert ideas into illustrations and share them or time-lapse videos of them on social media. I can also prepare the images for printing on metal, paper, and canvas surfaces in a variety of sizes.
BIOGRAPHY:
Paul Longo has lived a relatively unconventional life. In his youth, he plowed through dyslexia (before teachers had ever heard of it) and learned that there is, indeed, more than meets the eye. In college, he read Don Quijote in Spanish for the first time and discovered an interest in anthropology. He went on to complete 3 graduate degrees and has lived and worked in 7 countries and 9 states since then. Paul has taught anthropology, education, Spanish, research and evaluation methods, and ESL at 6 different universities. These days he teaches digital art to adults with developmental disabilities and non-credit ESL to adults at a local community college.
Paul was also a Benedictine monk and lived in a monastery for nearly 8 years, until he met and married his wife. Together they were survivors of Hurricane Katrina as residents of New Orleans. But it was not until 2013, while living in a downtown loft in Des Moines, Iowa, that Paul complained to his wife, a CIO in higher education, about not having either a basement or a garage in which to make art. A few days later she gave Paul her old iPad with an installed drawing app and said, “here’s a studio for your lap.” Since then, not only have iPads become larger and more powerful, but the number of drawing and painting apps has increased and each one offers a unique set of features to create original artwork. Nowadays, Paul takes his "studio” everywhere he goes.
Throughout his eclectic journey, Paul has created and shared his art to make sense of the world, to give voice to new identities and experiences, and to engage more intentionally with others. To view more of Paul Longo’s works, digital and otherwise, visit his social media sites: www.portfoliolongo.com, twitter, YouTube, Instagram: @plongeaux, Facebook: Paul J. Longo
Ah, squirrel brains! I give up!
It all started this morning while I was cracking about two dozen walnuts, walnuts that I personally saw shaken from a tree. One came out whole; I photographed it and tried to draw it in Procreate. I got so far and simply stopped. Time was flying. Too much time.
Walnuts have always reminded me of squirrel brains. That hasn’t changed.


Technical: I used a reference photo that, if you want, you could purchase; I just referred to it, and drew freehand with liberties.
I’ve played around with the terms text and context in other posts. Context means woven together, and text means woven.
Weavers’ shop talk (Arquette, 1974), as it were.
I learned today that the word tissue is related to text too. We often talk about the fabric of society, its many textures; but, what about the texture of the universe? What about universal tissue?

I started this illustration over two beers and under ten conversations last night at the 17th Street Public House. I finished it on my side of our Ragsdale king size bed. I had snapped an iPhone picture of the subject beforehand and used it as a side-by-side reference for a free-right-hand drawing in Procreate; my left hand facilitated the beer delivery.
