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About portfoliolongo.com

ARTIST'S STATEMENT: I want my artwork to comfort the afflicted and to afflict the comfortable. I want it to shed light and call attention to beauty, coherence, and unity; and, I want it to cast doubt on falsehoods, oversimplifications, and absurdities. I’d like to be instrumental in deepening our awareness and appreciation of the fullness of life, including its complexities, ambiguities, and paradoxes. I draw and paint on an iPad with an Apple Pencil or my fingers using a variety of drawing/painting apps; although, I still work in wood and clay as well. iPads are portable and versatile, require little set up, and there’s no clean up. They’re the perfect medium for what I do. I can quickly convert ideas into illustrations and share them or time-lapse videos of them on social media. I can also prepare the images for printing on metal, paper, and canvas surfaces in a variety of sizes. BIOGRAPHY: Paul Longo has lived a relatively unconventional life. In his youth, he plowed through dyslexia (before teachers had ever heard of it) and learned that there is, indeed, more than meets the eye. In college, he read Don Quijote in Spanish for the first time and discovered an interest in anthropology. He went on to complete 3 graduate degrees and has lived and worked in 7 countries and 9 states since then. Paul has taught anthropology, education, Spanish, research and evaluation methods, and ESL at 6 different universities. These days he teaches digital art to adults with developmental disabilities and non-credit ESL to adults at a local community college. Paul was also a Benedictine monk and lived in a monastery for nearly 8 years, until he met and married his wife. Together they were survivors of Hurricane Katrina as residents of New Orleans. But it was not until 2013, while living in a downtown loft in Des Moines, Iowa, that Paul complained to his wife, a CIO in higher education, about not having either a basement or a garage in which to make art. A few days later she gave Paul her old iPad with an installed drawing app and said, “here’s a studio for your lap.” Since then, not only have iPads become larger and more powerful, but the number of drawing and painting apps has increased and each one offers a unique set of features to create original artwork. Nowadays, Paul takes his "studio” everywhere he goes. Throughout his eclectic journey, Paul has created and shared his art to make sense of the world, to give voice to new identities and experiences, and to engage more intentionally with others. To view more of Paul Longo’s works, digital and otherwise, visit his social media sites: www.portfoliolongo.com, twitter, YouTube, Instagram: @plongeaux, Facebook: Paul J. Longo

non-dualistic saturation

Back when I was in high school in the early 1970s I bought a book on meditation for some unknown reason. In bed that night I started skimming the book, reading a few pages here and there. I randomly found an exercise instructing me to pay attention to sights and sounds. So I put down the book and looked out the screened window at a street light on a telephone pole located about halfway between my window and the small, fence-making factory just beyond the alley, the row of houses, and the railroad tracks behind our house. For a brief moment my very own view shed and sound shed seemed unfamiliar to me. I noticed the constant factory noise, which I had learned how to ignore long before. Guests and visitors would ask us how we put up with that noise, and we’d say, what noise? I heard it that night. Then there was the street light. I noticed that from my bed I could see the light, and if i relaxed my eyes, I could see the mesh of the screen against a blurry but bright backdrop. I remember alternating between either seeing the street light or seeing the screen mesh, but I couldn’t see them both clearly at the same time; except for that one fleeting moment in which I either saw them both at the same time or imagined seeing them both at the same time. By this time I was coming to, returning to my regularly scheduled programs. I closed the book thinking to myself, well that went nowhere. I set the book aside along with the others on different subjects that I had left unfinished. Funny, isn’t it? I think I was momentarily meditating from the inside out and outside in, and I didn’t even know it; but, how come I remember it? I think I accidentally bumped into now then.

non dualistic saturation

Sorolla Study

I’ve always loved the works of Joaquín Sorolla y Bastida. I thought I’d try my hand (and Apple Pencil using the Sketch Club app on an iPad Pro) at one that caught my eye, “Pescadora Valencian,” (1916).

Sorolla Study

Screenshot

You’ll need more than one if they take away Social Security

I just don’t get. I’m barely able to utter a WTF.

Reach for the sky!

SOTU Address 2024

Take my predecessor. Please!
My predecessor (Donald Monster Trump)

Seeing

I had to add three temporary eyedrops to the two I normally take because of a recent glaucoma-related procedure. It’s a long story, goes back to 1998. When I saw all of the little eyedrop containers huddled together this afternoon in a little basket, I noticed seeing them while I looked at them.

James Carville, tranquillized

Some details from the Sketch Club app:

Subaru Dealership Waiting Room Guitar Man

Waiting Room Guitar Man

30,000 mile service. Time to dig in. Looks like I deviated a little from Jorma’s actual countenance based on this screenshot of him and Jack.

Jorma & Jack

Super Bowl 2024

I was happy with the outcome. I’ll let these images speak for themselves.