Unknown's avatar

About portfoliolongo.com

ARTIST'S STATEMENT: I want my artwork to comfort the afflicted and to afflict the comfortable. I want it to shed light and call attention to beauty, coherence, and unity; and, I want it to cast doubt on falsehoods, oversimplifications, and absurdities. I’d like to be instrumental in deepening our awareness and appreciation of the fullness of life, including its complexities, ambiguities, and paradoxes. I draw and paint on an iPad with an Apple Pencil or my fingers using a variety of drawing/painting apps; although, I still work in wood and clay as well. iPads are portable and versatile, require little set up, and there’s no clean up. They’re the perfect medium for what I do. I can quickly convert ideas into illustrations and share them or time-lapse videos of them on social media. I can also prepare the images for printing on metal, paper, and canvas surfaces in a variety of sizes. BIOGRAPHY: Paul Longo has lived a relatively unconventional life. In his youth, he plowed through dyslexia (before teachers had ever heard of it) and learned that there is, indeed, more than meets the eye. In college, he read Don Quijote in Spanish for the first time and discovered an interest in anthropology. He went on to complete 3 graduate degrees and has lived and worked in 7 countries and 9 states since then. Paul has taught anthropology, education, Spanish, research and evaluation methods, and ESL at 6 different universities. These days he teaches digital art to adults with developmental disabilities and non-credit ESL to adults at a local community college. Paul was also a Benedictine monk and lived in a monastery for nearly 8 years, until he met and married his wife. Together they were survivors of Hurricane Katrina as residents of New Orleans. But it was not until 2013, while living in a downtown loft in Des Moines, Iowa, that Paul complained to his wife, a CIO in higher education, about not having either a basement or a garage in which to make art. A few days later she gave Paul her old iPad with an installed drawing app and said, “here’s a studio for your lap.” Since then, not only have iPads become larger and more powerful, but the number of drawing and painting apps has increased and each one offers a unique set of features to create original artwork. Nowadays, Paul takes his "studio” everywhere he goes. Throughout his eclectic journey, Paul has created and shared his art to make sense of the world, to give voice to new identities and experiences, and to engage more intentionally with others. To view more of Paul Longo’s works, digital and otherwise, visit his social media sites: www.portfoliolongo.com, twitter, YouTube, Instagram: @plongeaux, Facebook: Paul J. Longo

Old Ford @ K & 26th in Merced, CA

This beauty catches my eye every time I ride or drive by. I couldn’t resist the urge to photograph it last night on the way to the 17th Street Public House so that I could render it today.

Anyone know what year it might be? (thanks for the clue Jim; it’s a 1950.)

20140520-132130-48090024.jpg

Making Sekanjabin, Persian Mint Syrup (recipe included)

I had my first sip of an ice-cold sekanjabin just over 30 years ago, and I remember my immediate, four-word reaction, “This kicks thirst’s butt!

A dear friend, Maryam carefully taught me how make sekanjabin years ago. I’ve included the recipe below, but I should warn you: internet research will uncover many variations of this ancient drink, including some that contain cucumber.

Making sekanjebin

There are a few Youtube videos as well, see this one.

Even if you’re only partially inclined, give it a try the next time thirst messes with you!

SEKANJABIN RECIPE:
(Recipes vary. Adjust.)
Ingredients:
Sugar: 3 – 4 parts
Water: 2 parts
Apple Cider Vinegar: 1 part
Mint: 1 bunch

Preparation:
Dissolve sugar in water; when it comes to a boil add vinegar. Simmer for 1/2 hour. Add the mint, stir, remove from heat, and let cool over night before removing the mint and bottling (add a sprig of fresh mint in the bottle of syrup).
Serving:
Dilute the resulting syrup to taste with ice water (5 to 10 parts water to 1 part syrup). Add a sprig of mint. Sekanjabin stores without refrigeration.

Sekanjabin

Sunday AM: Time For 2 of 500 Spices

Image

20140518-082926-30566282.jpg

Pre-Coffee?

Have a preliminary coffee-like beverage in the hotel room? It raises other questions.

20140517-084917.jpg

Monumental Bloviation

I watched the United States of Secrets last night on Frontline. How upsetting!

Computer microminiaturization, new media, and the digital revolution may not be ushering us into the information age and the knowledge-based society as quickly as we would expect or hope. Maybe we’ve only just now technically entered the bloviation age?

monumental bloviation

Breaking News: Sociolinguists Found Using Fracking Techniques to Exploit Local Yinz Phenomenon in Western Pennsylvania

Investigators from portfoliolongo.com have uncovered a clandestine, sociolinguistic fracking operation in an undisclosed town in Western Pennsylvania. According to an on-site project manager who asked not to be identified, “These new mining techniques have allowed us to approach the yinz phenomenon from the bottom up!” Our informant admitted that this type of research cannot be conducted without undesirable consequences, however, “you’d have to be a total jaggoff not to recognize that the means justify the end here. There’s big money in yinz nowadays!”  The so-called yinz phenomenon is the local practice, based on Germanic influences, of adding both an /ęn/ and an /ës/ or /êz/ sound to the end of the 3rd-person-singular, nominative and objective case pronoun, you for purposes of pluralization, not unlike y’all in the South. Examples include: “Are yinz goin’ to Kennywood Park?” “Did some’a-yinz eat or all’a’yinz?” “Is that yinz’s car?” Acceptance has been growing in recent years, and consequently the market value of yinz has skyrocketed. Researchers have identified and, in some cases, tapped into abundant reserves of deep structure yinz (DSY) and structurally-related variations, like DSY-2 or yunz-2 and DSY-3 or yenz-3.  “It’s not such a big deal?” opined the project manager, “Everybody knows you make child plural by sayin’, children, there’s your plural. These folks simply add an /s/ on top of that for good measure, like icing on the cake! There’s your yinz, and hey, we’re finally tapping into that.”

IMG_0378

Maestro Lotfi, January 7, 1947 – May 2, 2014

Depicted here playing the kamancheh, Mohammad-Rezā Lotfi lives on in the hearts of many … singing and playing setar, ney, daf, tombak, you name it; and he lives on in my heart directly and by means of my dear friend, Sirous, whose heart is heavy ever since Lotfi died a few days ago, which breaks my heart even more.

I met Lotfi in the mid 1980s and heard him perform alone or with one or two others on several occasions in a variety of settings. Over time I came to understand better his role in the revitalization of traditional Persian music. I think I’ve already mentioned that I am, in fact, one of the luckiest guys from Murdock St., Canonsburg, PA! How blessed I was to meet Lotfi, to hear him perform, to be bathed for hours in the sacred, musical poetry of Hafiz, Rumi, and others in spite of language barriers. On one very special occasion, thanks to Sirous, while I was a monk, Lotfi and two colleagues visited and performed at the monastery in the vaulted and acoustically-accommodating basement of the basilica in what was one of the most ecumenical and beautiful events ever to take place there! Sirous often reminds me that Lotfi was pleased with the venue and found it conducive in more ways than one. I subsequently saw Lotfi perform in both small, informal gatherings and large concert settings. My heart goes out to Sirous and all who mourn the loss of Maestro Lotfi.

Maestro Lotfi’s music is all over the internet, and it is readily available for purchase. It was this YouTube video that refreshed my memory for the drawing. Please click here for another iPad painting I did of Maestro Lotfi.

20140508-134156.jpg

Lotfi et al. at St. Vincent Archabbey, Latrobe, PA 1 Lotfi et al. at St. Vincent Archabbey, Latrobe, PA 2

Chick here to see the post associated with this iPad painting that I did of Maestro Lotfi.

Mohammad-Rezā Lotfi

Invasion of Privacy AND Profiling

Years ago I saw a cartoon of a salesperson at a tobacco shop coming from the back of the store carrying a hippopotamus on his back. The person at the counter yelled, “I said Zippo, not hippo!”
When the HIPPA form came out, all I could think of was that cartoon.

20140507-145618.jpg

Black and White

Ones and zeros. Day and night. Inside and outside. Steward and O’Reilly. Good and bad.
You’d think we don’t all live on a rotating, spherical orb revolving elliptically around the sun in a constellation on the move!

20140504-074943.jpg