Night Time at Hidden Drive Hollow

Annyth took a nighttime photo of our new place at “Hidden Drive Hollow” that I loved so much that I thought I’d sketch it out on my iPad. Why that name? Well, as you approach our place on this county road from both directions, there are yellow signs that say, “Hidden Drive.” So, Hidden Drive Hollow, all 1.83 acres of it.

I don’t want to boast, but we had a bidet installed in the primary bath.

No Idea…(but does Guzzell’s Hardware ring a bell?)

a bird flying while carrying a suitcase with a Blue Eagle Guitars sticker on it

I have no idea what this image means, a bird flying while carrying a suitcase with a Blue Eagle Guitars sticker on it? But I do know this, that some people of a certain age from Canonsburg, PA would easily “get” the Blue Eagle Guitar Shop based on their experience at Guzzell’s Hardware Store. If Stanley Guzzell catered to Western Pennsylvanian musicians, his shop would be like Blue Eagle Guitars. Everybody knows places like this. They’re not neat. If it’s not there, you really didn’t need it.

Portrait of Classmate from Another Classmate’s Photo

Fifty schmifty! We’ve been friends for a little over 60 years!

Don C

Jackson Lamb, Slow Horses

Lamb

Slow Horses
Saturday practice in Sketch Club

Encircled by Yerba Mate

Mike and Don E explaining the customs and rituals of drinking mate at the Cannabis Museum just outside Athens, OH.

Mike and Don E

Freehand iPad painting in Sketch Club.

Artwork by Joe Brumfield

John Horne, Guitarist (Athens, OH)

Here’s John playing at Jackie O’s in Athens, OH. He said it was ok for me to use the photo reference from FaceBook that this quick, freehand, digital (iPad) painting is based on. Check‘em out (here and here) and in person to partner with his countless fans, colleagues, collaborators, and clients. He’s one of the big reasons why I’m so glad to be back in Athens.

John Horne – rendered on an iPad Pro in Sketch Club using an Apple Pencil

 

Intro to Opus Dei founded in Spain in 1928 by Josemaría Escrivá: A Snapshot from the late 1980s.

It seems like suddenly Opus Dei is in the news. When I was in the seminary back in the mid-1980s studying to become an ordained Benedictine monk, I came across an article that caught my attention: “The Holy Mafia, Opus Dei: For God, for Country, or for Profit?,” (Atlas August 1966, pp. 28-32). I decided to write a term paper on this organization and its founder, Josemaría Escrivá for a history class assignment. My professor, one of my favorites, suggested that I polish it up and submit it for publication. Eventually, after several rounds of revisions, it was accepted. Click on this link to see a PDF copy from the American Benedictine Review: Escriva’s Opus Dei. You’ll see that my critique was subtler and more indirect than it should’ve been; however, I did manage to raise some questions at the end of the piece that are still unanswered and relevant in my view.

Much has change since this piece was published in 1989:

My suggestions:

  • Put your “faith” to work accepting the complexities, ambiguities, and paradoxes of Life;
  • Embrace the Mystery rather than fearing it or, worse yet, trying futilely to dominate it; and
  • Use the expression, “one among several” rather than “the one and only.” It’s almost always applicable. The Catholic Church, like all organizations and institutions, is not a monolith. You might be surprised to learn how heterodoxical and dynamic it is; but, that can be said about everything! Don’t fear pluralism or lifelong learning. As another seminary professor once said, “Heaven is reserved for people who like surprises.” Click here for additional assistance.

Josemaria Escriva, a freehand, digital iPad art painting done in the Sketch Club app using an Apple Pencil

You lookin’ at me?

Annyth’s always making photos for me to practice on so that I’m not always wasting time drawing political chickenshit.

Sketch Club app on an iPad Pro with an Apple Pencil and a tweak or two in iColorama.