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About portfoliolongo.com

ARTIST'S STATEMENT: I want my artwork to comfort the afflicted and to afflict the comfortable. I want it to shed light and call attention to beauty, coherence, and unity; and, I want it to cast doubt on falsehoods, oversimplifications, and absurdities. I’d like to be instrumental in deepening our awareness and appreciation of the fullness of life, including its complexities, ambiguities, and paradoxes. I draw and paint on an iPad with an Apple Pencil or my fingers using a variety of drawing/painting apps; although, I still work in wood and clay as well. iPads are portable and versatile, require little set up, and there’s no clean up. They’re the perfect medium for what I do. I can quickly convert ideas into illustrations and share them or time-lapse videos of them on social media. I can also prepare the images for printing on metal, paper, and canvas surfaces in a variety of sizes. BIOGRAPHY: Paul Longo has lived a relatively unconventional life. In his youth, he plowed through dyslexia (before teachers had ever heard of it) and learned that there is, indeed, more than meets the eye. In college, he read Don Quijote in Spanish for the first time and discovered an interest in anthropology. He went on to complete 3 graduate degrees and has lived and worked in 7 countries and 9 states since then. Paul has taught anthropology, education, Spanish, research and evaluation methods, and ESL at 6 different universities. These days he teaches digital art to adults with developmental disabilities and non-credit ESL to adults at a local community college. Paul was also a Benedictine monk and lived in a monastery for nearly 8 years, until he met and married his wife. Together they were survivors of Hurricane Katrina as residents of New Orleans. But it was not until 2013, while living in a downtown loft in Des Moines, Iowa, that Paul complained to his wife, a CIO in higher education, about not having either a basement or a garage in which to make art. A few days later she gave Paul her old iPad with an installed drawing app and said, “here’s a studio for your lap.” Since then, not only have iPads become larger and more powerful, but the number of drawing and painting apps has increased and each one offers a unique set of features to create original artwork. Nowadays, Paul takes his "studio” everywhere he goes. Throughout his eclectic journey, Paul has created and shared his art to make sense of the world, to give voice to new identities and experiences, and to engage more intentionally with others. To view more of Paul Longo’s works, digital and otherwise, visit his social media sites: www.portfoliolongo.com, twitter, YouTube, Instagram: @plongeaux, Facebook: Paul J. Longo

More theologoumena, this one on the recent gov’t shutdown

A few weeks ago, when many parts of the government came to an avoidable halt from Oct. 1 through Oct. 16, 2013, it occurred to me that there was no way of knowing just how far up the food chain the residual effects would climb.  And so I envisioned this:

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I’ve just added this drawing to the Gallery, Random Theologoumenal Renderings on this page.

A Shoe Theme Has Emerged: Men’s Shoes Can Be Loud Too

We wear shoes.  Some of us would have a harder time sneaking up on others because of the sounds our shoes make.  One of those sounds prompted me to produce this clip:

That little clip was based on something similar I had already tried a couple of weeks ago (see below), I used the following two images in iMovie, did some editing, and added some sound tracks. These are the two drawings done in Fifty Three Paper, the iPad drawing app.

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Fifty Three lets you duplicate a drawing. I did so, erased the hammers, and added bunny slippers.  Wishful thinking?

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BULLETIN:  This just in from the Des Moines Register: Police: Dispute comes to head with hammers

The following short clip, entitled Airport Security or TSA, is the prototype I referred to.

The two drawings use in Airport Security or TSA:

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Letter from Des Moines

Stamp:

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Envelope & Letter

Letter from Des Moines

I intended to show either a sunrise or sunset behind the barn and tried using white lines, yellow color, and shading to do that.

Remote Post

An unusual sky over The Moines. I wish I had time to draw this, but this is only a test.

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Revision: Sun., Nov. 17, 2013

I’m curious to see whether this post gets pulled to the top because I’m editing it. I’m also curious to see what happens when I add another image to an old post.  In this case it’s a variation of the above image, which I posted by cell phone remotely yesterday evening. It was produced, i.e., modified in an app called My Sketch, that is to say, I had nothing to do with modification other than selecting “Art Sketch.”

DSM-modified in My Sketch

DSM-modified in My Sketch

Little Boxes, Armour Hot Dogs, Earworms, & Neti Pots

Let’s see; how did this drawing come about?

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That recurring moment when you have the song Little Boxes running through your head and it keeps turning into the Armour Hot Dogs theme song

Earlier today, for no apparent reason, I found myself, no, heard myself thinking about the tune, Little Boxes, (1962 song by Malvina Reynolds) made famous first by Pete Seeger in 1963 and then more recently by the Showtime television series Weeds.  Now, for the record, back in August of 2009 I crafted and posted a related YouTube video with my own sound track, a variation of Little Boxes, because I was so taken by the song. However, this morning, each time I tried to hum along with Little Boxes, as it was being rendered to me by my own unique stuck song syndrome, the melody would morph into the Armour Hot Dog theme song, as portrayed in the 1967 TV commercial.  Think about it. Hum along: Little BoxesArmour Hotdogs.  OK, that’s enough. Quit while you’re ahead!

There is nothing worse than an earworm that starts off one way and undergoes a metamorphous inside your head before it goes on…and on…and makes itself at home.

BIG CHECK: Inaugural Post, An Arbitrary Starting Point

I’ve been told I use my hands a lot when I talk. Maybe that’s because I consider language as my back-up medium. Give me a lump of clay, a chunk of wood, paper and pencil, iMovie, PowerPoint, iPhoto, and most recently, an iPad, a drawing app like Fifty Three Paper, and a stylus, and then ask me if I have anything to “say.”

I’ve always been intrigued by those photo-ops in which people are giving and receiving funding and BIG, ENORMOUS checks are used.  You’ve seen them.  I assembled a few into one image, and at first I called it Big Check.

BigCheck

Prenatal Outcomes: Tangible financial capital investments intended to be converted into outcomes desired by the community

Then, I guess because of my work in planning and evaluation, I renamed it, Prenatal Outcomes.

The idea of the “big check” stuck with me, and a couple of weeks ago, I drew the following on my first generation iPad using  Fifty Three Paper.

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Betty was slightly annoyed that her benefactors hadn’t given her a regular check after the press conference.

It could happen.