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About portfoliolongo.com

ARTIST'S STATEMENT: I want my artwork to comfort the afflicted and to afflict the comfortable. I want it to shed light and call attention to beauty, coherence, and unity; and, I want it to cast doubt on falsehoods, oversimplifications, and absurdities. I’d like to be instrumental in deepening our awareness and appreciation of the fullness of life, including its complexities, ambiguities, and paradoxes. I draw and paint on an iPad with an Apple Pencil or my fingers using a variety of drawing/painting apps; although, I still work in wood and clay as well. iPads are portable and versatile, require little set up, and there’s no clean up. They’re the perfect medium for what I do. I can quickly convert ideas into illustrations and share them or time-lapse videos of them on social media. I can also prepare the images for printing on metal, paper, and canvas surfaces in a variety of sizes. BIOGRAPHY: Paul Longo has lived a relatively unconventional life. In his youth, he plowed through dyslexia (before teachers had ever heard of it) and learned that there is, indeed, more than meets the eye. In college, he read Don Quijote in Spanish for the first time and discovered an interest in anthropology. He went on to complete 3 graduate degrees and has lived and worked in 7 countries and 9 states since then. Paul has taught anthropology, education, Spanish, research and evaluation methods, and ESL at 6 different universities. These days he teaches digital art to adults with developmental disabilities and non-credit ESL to adults at a local community college. Paul was also a Benedictine monk and lived in a monastery for nearly 8 years, until he met and married his wife. Together they were survivors of Hurricane Katrina as residents of New Orleans. But it was not until 2013, while living in a downtown loft in Des Moines, Iowa, that Paul complained to his wife, a CIO in higher education, about not having either a basement or a garage in which to make art. A few days later she gave Paul her old iPad with an installed drawing app and said, “here’s a studio for your lap.” Since then, not only have iPads become larger and more powerful, but the number of drawing and painting apps has increased and each one offers a unique set of features to create original artwork. Nowadays, Paul takes his "studio” everywhere he goes. Throughout his eclectic journey, Paul has created and shared his art to make sense of the world, to give voice to new identities and experiences, and to engage more intentionally with others. To view more of Paul Longo’s works, digital and otherwise, visit his social media sites: www.portfoliolongo.com, twitter, YouTube, Instagram: @plongeaux, Facebook: Paul J. Longo

Traveler with Window Seat

He put away his cell phone once we took off from Lisbon and starred out the window like this until we reached Barcelona.

Traveler with Window Seat

Sketch Club, iPad Pro, Apple Pencil

Outback Structure on the Island of São Miguel, Açores

A building on the grounds of the Fábrica de Chá do Porto Formoso, the Tea Factory at Porto Famoso on the island of São Miguel, Açores. Ann photographed it wondering if I would have liked to draw it. I used her photo as a reference for a side by side freehand drawing in Procreate on my iPad Pro with an Apple Pencil and a couples of vacation hours.

Click to enlarge to full size: 2031 X 1714

Click to enlarge to full size: 2031 X 1714

Opportunities

CURRENT OPENINGS:   Summer 2016 EC Theatre Arts Teaching Internship Please read the full internship description, with instructions for how to apply, at the link above.  This is a teaching inte…

Source: Opportunities

Moon above Sé Cathedral of Angra do Heroísmo

On our way back to the hotel after dinner last night, we saw the moon hovering above the Sé Cathedral of Angra do Heroísmo, a Portuguese 16th-century cathedral located in the civil parish of Sé, in the municipality of Angra do Heroísmo, on the island of Terceira in the archipelago of the Azores. I was reminded that some believe that the Moon Goddess is more powerful than the Sun God and isn’t afraid to come out at night.

Sé Cathedral and Moon

Procreate, iColorama, iPad Pro, Apple Pencil

Lumpensammler

Lumpensammler

When I was a novice working in and around the refrectory on kitchen duty, the old, German-speaking Benedictine nuns had a nickname for me (and others as well, truth be told), lumpensammler, the rag man. An occasional spitzbuben was heard too.

Freehand, photo reference. Procreate

Progress video.

Crack’O Dawn

Crack'O Dawn

Click to enlarge to full size: 2732 x 2048

Tayasui Sletches II

Fifty Something Something or Another

Fifty Something Something or Another

Click on image to enlarge to full size: 2048 x 2048.

You know this one would be fun to drive in Cuba or Merced. There it sits on North Parsons Ave..

 

Mapping Isobarks in Dog Owners’ Sound Sheds

OK, I may be introducing some new terms and concepts here, so bear with me. If you Google sound shed, you’ll notice that sound shed has already been coined. However, it seems to have been fashioned somewhat literally, as in sounds in an actual shed out back. I’m using the term in a more figurative way, as in the way shed is used in water shed, where shed is like an amorphous vault within which phenomena can be associated, conceived, or perceived. For years I’ve used the expression view shed, and I don’t think I coined that. Similarly, smell shed; although, I haven’t heard or seen that used by anyone else, but imagine suddenly strolling into a hot, humid, summer, nightblooming jasmine, smell shed or rolling down your window at the landfill’s smell shed or being stuck in a meeting within a former hippie’s patchouli smell shed. So why not sound? Sound travels, and it wafts into a transterritorial volume that could, not easily, be measured in cubic increments, and if you’re situated within that dome, voluntarily or involuntarily, and if you’re equipped at least average hearing capability, then you and your normal ears are in a sound shed. If you’re lucky, it’s an outdoor concert, and your ears and other senses are being delighted, especially if you’ve already acquired a contact high because of associated smell-shed activity. If you’re unlucky, you’re in the sound shed of someone driving a vehicle that can barely hold itself together because every part is vibrating loose in response to awefully loud and offensive music; but, this is temporary. It passes.

If you’re really unlucky, you may find yourself held captive in an irresponsible dog owner’s sound shed, at the center of which is one or more innocent dogs. That’s what inspired this drawing. Let me emphasize that I find the owners culpable and not the dogs. They, these owners, as I have illustroblogged about elsewhere – oh, and here too – are speaking through their pets, and their message, encrypted as it is, is clear: “Forget about tranquility!”

Now, “Isobarks?” This is simply a way to visualize and measure the content and shape of this kind of sound shed. They’re self explanatory; but, if you have any questions, please feel free to use the comment section below.

Also, I have to be somewhat forgiving. In the first place, I have a dog. When my wife and I are away, and he’s alone, I’m not sure whether he’s creating a temporary sound shed with bright red isobarks. If so, well, I guess you could use the comment section below to create a complaint shed.

isobarks and sound sheds

Cap de Ville

Cap de Ville

Not sure what happened here. Sketch Club, iPad Pro, Apple Pencil, iColorama, half asleep.