Garbage In…

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Technical: I used a reference photo that, if you want, you could purchase; I just referred to it, and drew freehand with liberties.

Universal Tissue

I’ve played around with the terms text and context in other posts. Context means woven together, and text means woven.

Weavers’ shop talk (Arquette, 1974), as it were.

I learned today that the word tissue is related to text too. We often talk about the fabric of society, its many textures; but, what about the texture of the universe? What about universal tissue?

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Refs in New Orleans

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Technical: the reference photo came from here. Side-by-side free hand with a little lagniappe in Procreate.

Merced Theatre PM Tower

I started this illustration over two beers and under ten conversations last night at the 17th Street Public House. I finished it on my side of our Ragsdale king size bed. I had snapped an iPhone picture of the subject beforehand and used it as a side-by-side reference for a free-right-hand drawing in Procreate; my left hand facilitated the beer delivery.

Merced Theatre PM Tower

Morning Has Broken

Some viewers and followers may know or may have surmised that, before getting married, I spent a few years in a monastery, completed monastic and seminary formation, and became a solemnly professed  – no, not Solemn Vowels, ordained monk.

A funny thing happened on the way to mass one day. About 30 or 40 of us concelebrants were processing in and singing the opening hymn. Everyone properly intoned the first phrase of the hymn, Morning has broken, but someone behind me changed the next few words, as shown in the drawing, and sang it loudly enough for those of us in his sound shed to hear easily that he had referenced Fr. Frank, who at the time was the Director of Physical Plant, the only person on Earth capable of fixing a broken morning… for Christ’s Sake.

Morning has broken

For fun, have a listen to a traditional version of this hymn or better yet, check out this rendition by Cat Stevens a.k.a. Yusuf Islam.

Did you catch the spelling error on the first rendition of this drawing?