…but the hallway is hell

You’ve heard the expression, no door is ever closed without another one opening or the theocentric version, God doesn’t close a door without opening another one.  Several months ago I met a religious professional who told me a story about a critical time in his life, a transition, and how a colleague of his made use of the theocentric version of this expression adding a very interesting and compelling twist.  The colleague told him, you know that God doesn’t close one door without opening another one…but the hallway is hell.  I had never heard that extension; and I used to be a religious professional!  I found this newer and more complete version much more consoling and compelling.  This is how I envisioned it:

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Savasana

I go places during Savasana. Just today I took a spin around the block.

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I joke about yoga, but in the year and a half since I started practicing it, it has come to mean more to me than words can express. Learning how to listen to the stories that my own respiration is telling me is, I’m sorry, I can’t resist, breathtaking. There’s so much more to yoga that I don’t like talking about it at all.

When Ann turned me on to Fifty Three Paper, my first drawings were yoga related. Here are a couple of examples:

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I modified the following photo of one of my blocks and made a blank notecard of it. It was inspired by my first instructor, Paula at Shakti Yoga in Des Moines, where I’m a beginner-practitioner.  Namaste to my other instructors Marialyce and Joseph.

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The Virtual Two-Way Looking Glass: Marketing 101

Got a long way to go in so many ways, especially technique wise! Fortunately, it’s all practice…and, as others have pointed out, there are marketing opportunities all along the way, a new concept for me.  I’d been so focused on getting, renting, somehow finding a work space, a studio if you will, in which to sculpt, carve, or otherwise get muddy, that I was never getting around to doing or making anything! That’s a conundrum and a half! A wise acquaintance came along and suggested that I simply start drawing, illustrating in the meantime. Then, Ann turned me on to Fifty Three Paper, and I haven’t been the same since, literally. As I slowly move forward toward a studio and back to plastic or three-dimensional art, I’m learning new and related things thanks to this iPad drawing app.

There has been a fascinating, transformative, and genuinely ontological learning progression along this trajectory through the zone of proximal development (any Vygotsky fans out there?). As my focus morphed from finding the external space to locating and activating the internal space in which to express myself, I’ve noticed the beginnings of a parallel but counter shift from an internal to an external orientation that is opening me up to questions along the lines of ‘what might be of interest or usefulness to others?’  I’m calling this Marketing 101 for the time being. I’m starting to raise my periscope enough to consider who might be interested in what.

It’s a parallel and reflexive path, and it challenges my ethnographic vocation in more ways than one.  You have a role to play. Check back for further details.

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Princess 1396 No. 2 by Eberhard Faber

(Pardon the interruption, but since I posted this long ago, I’ve added a gallery on the right-hand side of this blog dedicated to the Princess No. 2 School Pencil. Please read on, oh, and welcome.)
In a short video posted today by the New York Times, 72-yr. old Count Anton-Wolfgang von Faber-Castell says, “If you put the pencil into a drawer, and you will leave the room, and you will not come back, but your great grandchild will come back and find the pencil, the first stroke he writes, it doesn’t dry out, it lasts virtually forever.”

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Such is the uniqueness of this instrument, especially the Princess No. 2, which has tickled my fancy for decades.  Across the top of my home page is a photo of larger-than-life-sized Princess No. 2, which I carved out of poplar, engraved, painted, stained, and sealed back in the mid 1980s.

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I look forward to doing more sculpting and carving once I get my studio back up and running; stay tuned…

I’ve added a few thematically related drawings from that era, but first, check out that short video:

http://www.nytimes.com/video/business/international/100000002562643/penciling-in-the-future.html?emc=eta1

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Unfortunately, here’s what’s left of the Eberhard-Faber Princess No. 2 School Pencil.

Hey Stella

In a recent conversation I was reminded of the Stanley and Stella Shouting Contest, a special event of the annual Tennessee Williams Festival held in Jackson Square in New Orleans, LA.

This drawing is roughly based on my memory, my imagination, and the YouTube video that follows.

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I posted this short video while living in New Orleans in 2009.  I invite you to take a look; you just may get a kick out of it.

Termites

Why, after all these years, am I thinking of termites? Doesn’t matter, at least now I can laugh about’em! The idea came to me this morning at Office Depot in Chicago, and when we got to our room in Milwaukee, I cranked it out in fewer than 5 minutes, maybe 10 with the coloring and advertising. I’m trying to run with ideas like this, even when I leave my back pack with my iPad in it at our cousin’s house!?! Thanks Ann, for letting me use your iPad.

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Table for One

Last night we had 2 large and 1 small pizzas from Pequod’s Pizza. The large pizzas came with “pizza spacers” (see below). Maybe it was because there were little kids; who knows, but the spacers reminded me of little tables.

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One thing’s clear, it’s easier for me to make pizza from scratch than it is for me to draw pizza. I had no photos to refer to this time; although, I found this photo after doing the drawing:

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Pizza is hard to draw, I say.