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About portfoliolongo.com

ARTIST'S STATEMENT: I want my artwork to comfort the afflicted and to afflict the comfortable. I want it to shed light and call attention to beauty, coherence, and unity; and, I want it to cast doubt on falsehoods, oversimplifications, and absurdities. I’d like to be instrumental in deepening our awareness and appreciation of the fullness of life, including its complexities, ambiguities, and paradoxes. I draw and paint on an iPad with an Apple Pencil or my fingers using a variety of drawing/painting apps; although, I still work in wood and clay as well. iPads are portable and versatile, require little set up, and there’s no clean up. They’re the perfect medium for what I do. I can quickly convert ideas into illustrations and share them or time-lapse videos of them on social media. I can also prepare the images for printing on metal, paper, and canvas surfaces in a variety of sizes. BIOGRAPHY: Paul Longo has lived a relatively unconventional life. In his youth, he plowed through dyslexia (before teachers had ever heard of it) and learned that there is, indeed, more than meets the eye. In college, he read Don Quijote in Spanish for the first time and discovered an interest in anthropology. He went on to complete 3 graduate degrees and has lived and worked in 7 countries and 9 states since then. Paul has taught anthropology, education, Spanish, research and evaluation methods, and ESL at 6 different universities. These days he teaches digital art to adults with developmental disabilities and non-credit ESL to adults at a local community college. Paul was also a Benedictine monk and lived in a monastery for nearly 8 years, until he met and married his wife. Together they were survivors of Hurricane Katrina as residents of New Orleans. But it was not until 2013, while living in a downtown loft in Des Moines, Iowa, that Paul complained to his wife, a CIO in higher education, about not having either a basement or a garage in which to make art. A few days later she gave Paul her old iPad with an installed drawing app and said, “here’s a studio for your lap.” Since then, not only have iPads become larger and more powerful, but the number of drawing and painting apps has increased and each one offers a unique set of features to create original artwork. Nowadays, Paul takes his "studio” everywhere he goes. Throughout his eclectic journey, Paul has created and shared his art to make sense of the world, to give voice to new identities and experiences, and to engage more intentionally with others. To view more of Paul Longo’s works, digital and otherwise, visit his social media sites: www.portfoliolongo.com, twitter, YouTube, Instagram: @plongeaux, Facebook: Paul J. Longo

Kick back

Kick back

I was looking at videos on O Coruña (La Coruña), España, and when I saw this sculpture of Galician novelist, poet, playwright, and journalist, Álvaro Cunqueiro Mora, my mind wandered, and I felt like executing a rendition of it in Sketch Club on an iPad Pro with an Apple Pencil.: CLICK HERE to see the statue.

Mutually Exclusive

I’m not going to explain this!

Semiospherical

Bumped into Juri Lotman. Liked his hair. Made me think of THIS previous post. It’s a sign.

You’re the Puppet

The idea behind this quickly done, simple animation – done in Procreate – came from a series of tweets by Jared Yates Sexton, see the series here: (yea, click here.)

John Pavlovitz is right; and it burns me up!

See for yourself. Take a look at “If Conservatives Want to Ban Dangerous Books, They Better Start With the Bible.” The bible, two ways of approaching it, elsewhere on this illustroblog.

The Inclination to Pedestalize: Myths like the Lost Cause and, of course, the Big Lie

Monumentally Big Lie

“Look here,” as Alan Watts (see bio here) often said parenthetically, when someone is put up on a pedestal, it’s generally because they’re being “kicked upstairs,” promoted, as it were, to a higher but less desirable position, especially one with less authority. Watts argues compellingly that Jesus is a good example of this. Jesus, Watts argues, was almost instantly pedestalized in an effort to lessen his inclusive, social impact and to create an effective exit strategy for those throughout the ages who are inclined to reject precisely what Jesus fully embraced (For more information.). You’ll see that Watts explains how Jesus was turned into a “freak” and how the dominant, fundamentalist forms of “Christianity” have become nothing more than freak shows, a view that I’ve held for quite some time – before, during, and after my years as a Benedictine monk and then an ordained Roman Catholic priest. Notice, please, that I am not calling all of Christendom or any other particular tradition “freak shows,” thank you.

So, what does this have to do with the Myth of the Lost Cause or the Big Lie? To proceed let me set the stage, in case you’re not a mind reader or a frequent flyer on this illustroblogal journey, by citing Ty Seidule’s 2021 book, Robert E. Lee and Me: A Southerner’s Reckoning with the Myth of the Lost Cause. I created a post on the subject back in May of 2021, click here to see it. General Seidule’s book helped me understand the living connection between the myth of Robert E. Lee and the “Lost Cause” and the myth of Donald J. Trump and the “Big Lie.” Both of these figures, like Jesus, were pedestalized; although, unlike Jesus, Lee and to a larger extent Trump collaborated in their pedestalizations. Jesus had nothing to do with his own pedestalization; he was too busy depedestalizing the divine.

Back to Alan Watts. The inclination to pedestalize Jesus, to prefer his exclusivity and divinity over his inclusivity and humanity, is a reflection of monarchical forms of government and, of course, ecclesiology. As Watts states, “all Western religions have taken the form of celestial monarchies and therefore have discouraged democracy in the kingdom of heaven.” It wasn’t until the fifteenth century “as a consequence of the teaching of the German and Flemish mystics…there began to be such movements as the Anabaptists, the Brothers of the Free Spirit, and the Levelers and the Quakers. A spiritual movement which came to this country and founded a republic and not a monarchy…But you see, ever so many citizens of this republic think they ought to believe that the universe is a monarchy, and therefore they are always at odds with the republic. It is from principally white, racist Christians that we have the threat of fascism in this country, because, you see, they have a religion which is militant, which is not the religion of Jesus, which was the realization of divine sonship, but the religion about Jesus, which pedestalizes him, and which says that only this man, of all the sons of woman, was divine. And you had better recognize it. And so it speaks of itself as the church militant. The onward Christian soldiers marching, as to war. Utterly exclusive, convinced in advance of examining the doctrines of any other religion, that it is the top religion. So it becomes a freak religion, just as it has made a freak of Jesus, an unnatural man.”

I’m going to leave it there for now. I won’t say anything more about slavery or white supremacy. Check out Ty Seidule’s book and other resources for that. As is so often the case, my cartoons and photo mashups are my first and only voice. While I’m working on them, I’m able to engage in related subjects in a precognitive, nonverbal way. We got a lot of work ahead of us to form a more perfect Union (look up the etymology of perfect, it means “by doing;” it’s not a destination, not an end point; it’s a journey. If you have any questions or comments, please feel free to let me know. You can use the form below.

Lee on Traveller – Trump on EZ-GO

Lucas Imbiriba, Guitar, Malagueña, Fire Extinguisher

Bumped into another amazing guitarist, Lucas Imbiriba. I snuck a little screen shot – as a reference photo for a Sketch Club painting on my iPad – taken from the YouTube video below in which he plays Malagueña. He has other astonishing videos. The fire extinguisher? That’s my idea. I hope he keeps one handy for his fingers.