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About portfoliolongo.com

ARTIST'S STATEMENT: I want my artwork to comfort the afflicted and to afflict the comfortable. I want it to shed light and call attention to beauty, coherence, and unity; and, I want it to cast doubt on falsehoods, oversimplifications, and absurdities. I’d like to be instrumental in deepening our awareness and appreciation of the fullness of life, including its complexities, ambiguities, and paradoxes. I draw and paint on an iPad with an Apple Pencil or my fingers using a variety of drawing/painting apps; although, I still work in wood and clay as well. iPads are portable and versatile, require little set up, and there’s no clean up. They’re the perfect medium for what I do. I can quickly convert ideas into illustrations and share them or time-lapse videos of them on social media. I can also prepare the images for printing on metal, paper, and canvas surfaces in a variety of sizes. BIOGRAPHY: Paul Longo has lived a relatively unconventional life. In his youth, he plowed through dyslexia (before teachers had ever heard of it) and learned that there is, indeed, more than meets the eye. In college, he read Don Quijote in Spanish for the first time and discovered an interest in anthropology. He went on to complete 3 graduate degrees and has lived and worked in 7 countries and 9 states since then. Paul has taught anthropology, education, Spanish, research and evaluation methods, and ESL at 6 different universities. These days he teaches digital art to adults with developmental disabilities and non-credit ESL to adults at a local community college. Paul was also a Benedictine monk and lived in a monastery for nearly 8 years, until he met and married his wife. Together they were survivors of Hurricane Katrina as residents of New Orleans. But it was not until 2013, while living in a downtown loft in Des Moines, Iowa, that Paul complained to his wife, a CIO in higher education, about not having either a basement or a garage in which to make art. A few days later she gave Paul her old iPad with an installed drawing app and said, “here’s a studio for your lap.” Since then, not only have iPads become larger and more powerful, but the number of drawing and painting apps has increased and each one offers a unique set of features to create original artwork. Nowadays, Paul takes his "studio” everywhere he goes. Throughout his eclectic journey, Paul has created and shared his art to make sense of the world, to give voice to new identities and experiences, and to engage more intentionally with others. To view more of Paul Longo’s works, digital and otherwise, visit his social media sites: www.portfoliolongo.com, twitter, YouTube, Instagram: @plongeaux, Facebook: Paul J. Longo

Bobby D’s

Annyth and I lived in New Orleans, LA from early 2005 to early 2010, in with Katrina out with the Saints winning the Super Bowl! For most of that time we were lucky enough to live in Algiers Point. Looking back, I really wish I had been iPad drawing then, because it was probably the most interesting place I’ve ever lived. Whenever I go through my own photos from back then or if I bump into one on the Internet, I’m slowly but surely using them as reference photos for free hand iPad drawings to post on this illustroblog along with a little story. Here’s a few posts on Jack Fine, Kevin & Wendy’s House of the Rising Sun B&B, and the Missbelieve Tree (or Miss P’leeze Tree or even Loquat Tree) tagged #Algiers Pernt.

Case in “pernt,” couple’a years ago I happened upon a unique photo on Flickr by a Chuck Taggart. Click here for that photo. Setting the stage, he writes: [The store hours sign outside this little neighborhood grocery represents one of those “only in New Orleans” kinda things. My favorite hours-of-operation sign EVER. I was driving around in the Point and had a hankering for a Hubig’s Pie, and thought I’d stop into Bobby D’s. I was pushing it; it was a little after 5. No dice.]

Note: If you do go to that photo, you’ll see my request to use Chuck Taggart’s photo as a reference photo for the following iPad Pro painting, done mostly the Sletch Club app using an Apple Pencil.

Comments always welcome (down below). Here’s to Chuck Taggart, ethnographer and photographer.

Bobby D’s Hours

Ardha Matsyendrāsana Sorta

Here’s one, some variation of the Half Lord of the Fishes Pose, that makes my lower back talk. And my lower back has a lot of stories! I learned one thing about 4 or 5 years ago, the problem with my back is my front. Namaste, Ofie! I’ve illustroblogged before about yoga, check those posts out.

 

Colin Kaepernick

I saw a photograph of Colin Kaepernick on a meme that called my attention. I liked it enough to want to draw it free hand in Sketch Club. The meme’s below. The painting took 1 hour and 10 minutes, and I applied 2,895 brush strokes, 65 undos.

UPDATE: Check out this page, yea this one, to learn more about how this digital painting was selected to be part of the “IN THE MOMENT” 2020 Online Digital Art Exhibit with Cape Cod Art Center.

mDAC 2020 Virtual Conference: Jerry in the Top 100!

After a hiatus of two years, 2018 and 2019, the Mobile Digital Art and Creativity (mDAC) exhibition and conference returned. However, because of the pandemic, mDAC2020 took place online in a virtual manner a la Zoom. On the evening of Friday, June 26, 2020 there was the exhibit featuring the top 100, and out of them, the top 11, and on Saturday (6/27/20) and Sunday (6/28/20), two days of digital art workshops (click here to see the top 100 plus other details, including the jurors and the hands-on presenters). And if you had looked closely at the winners, you might have noticed that my piece, entitled Jerry, made in into the top 100!! How cool is that? What’s as cool is that I made it into the top 100 at mDAC2015 and mDAC2016.

Click on image to enlarge “Jerry”

I had already presented something about Jerry in a recent post about how cool it is to spend a little extra time with folks no longer with us in the flesh, click here to see that. Jerry was a dear friend whom I had gotten to know while living in Athens, Ohio from 1998 until 2005, but even after Ann and I moved away, we all stayed in touch.  I’m so happy that Jerry was selected because, remembering this honor will always allow me to continue celebrating Jerry’s extraordinary life. See Jerry’s obit here.

#1


This one’s thematically related to a rather fundamental icon here at portfoliolongo.
Last week I noticed that the Tayasui Sketches app had an update. I was hopeful that the update would finally allow us users to reduce the canvas size while drawing without closing the drawing; and it did. There are some cool features in Sketches. My favorites include the “ink” and “watercolor” tools, as described here: https://tayasui.com/sketches/tools.html

Also, the “fill, pattern, text, object” tool, as shown here:

I used iColorama to sharpen and add vibrancy to the image.

Malignant Narcissist in the New Poison Ivy Garden

I saw an interview on TV with Jay Rosen, who had written a compelling piece, brilliantly arguing that 45’s plan is to have no plan at all! It’s the ultimate commission by omission in some ways, and it’s been diabolically effective on those who’ve sadly been marginalized from education and hope. He’s a sociopathic prankster, the magical answer to some people’s hollow prayers. Some say he has a mere learning disability; but no, it’s not that simple or  partial, as his own niece suggests in her book. He has an aversion to learning, and he’s become the patron saint for all those who decided to show up for the exam without cracking a book. He sows discord. He creates chaos. He will destroy others while he destroys himself.

Roger Schnozz

Disgraceful; however, about the illustration: I initially painted it in Sketch Club, used Procreate’s liquify tool to wiggle his nose while doing a screen video record, which I then resized and trimmed in VideoShop and then saved it. I opened it KinoGlitch, which I think I got through iColorama. In KinoGlitch there are several video effect editing features, and I believe I used Pixelate. Hope that helps. Let me know if I can clear anything up.

Camilo José Cela

I’ve been thinking a lot about tremendismo lately even though it’s been years since I read La Familia de Pascual Duarte and La Colmena. I’ll set aside the politics and philosophy and focus instead on Cela’s beautiful face.