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About portfoliolongo.com

ARTIST'S STATEMENT: I want my artwork to comfort the afflicted and to afflict the comfortable. I want it to shed light and call attention to beauty, coherence, and unity; and, I want it to cast doubt on falsehoods, oversimplifications, and absurdities. I’d like to be instrumental in deepening our awareness and appreciation of the fullness of life, including its complexities, ambiguities, and paradoxes. I draw and paint on an iPad with an Apple Pencil or my fingers using a variety of drawing/painting apps; although, I still work in wood and clay as well. iPads are portable and versatile, require little set up, and there’s no clean up. They’re the perfect medium for what I do. I can quickly convert ideas into illustrations and share them or time-lapse videos of them on social media. I can also prepare the images for printing on metal, paper, and canvas surfaces in a variety of sizes. BIOGRAPHY: Paul Longo has lived a relatively unconventional life. In his youth, he plowed through dyslexia (before teachers had ever heard of it) and learned that there is, indeed, more than meets the eye. In college, he read Don Quijote in Spanish for the first time and discovered an interest in anthropology. He went on to complete 3 graduate degrees and has lived and worked in 7 countries and 9 states since then. Paul has taught anthropology, education, Spanish, research and evaluation methods, and ESL at 6 different universities. These days he teaches digital art to adults with developmental disabilities and non-credit ESL to adults at a local community college. Paul was also a Benedictine monk and lived in a monastery for nearly 8 years, until he met and married his wife. Together they were survivors of Hurricane Katrina as residents of New Orleans. But it was not until 2013, while living in a downtown loft in Des Moines, Iowa, that Paul complained to his wife, a CIO in higher education, about not having either a basement or a garage in which to make art. A few days later she gave Paul her old iPad with an installed drawing app and said, “here’s a studio for your lap.” Since then, not only have iPads become larger and more powerful, but the number of drawing and painting apps has increased and each one offers a unique set of features to create original artwork. Nowadays, Paul takes his "studio” everywhere he goes. Throughout his eclectic journey, Paul has created and shared his art to make sense of the world, to give voice to new identities and experiences, and to engage more intentionally with others. To view more of Paul Longo’s works, digital and otherwise, visit his social media sites: www.portfoliolongo.com, twitter, YouTube, Instagram: @plongeaux, Facebook: Paul J. Longo

Coronatrumpeting 2

I was thinking about this one as I was doing the previous one.

Sketch Club, iColorama, iPad Pro, Apple Pencil, 15 minutes

Coronatrumpeting

Here’s one I’d been thinking about for a few weeks, (check out the stats info from Sketch Club below the image, which doesn’t include 2 minutes in iColorama for final tweaking.)

Stats info:

It’s been quite a spring!

My wife definitely has a green thumb, which means I get to enjoy the sight and aroma of many different types of flowers. This year I was moved to paint – or at least attempt to paint – some of them: irises, lilies, and a flowering variegated bower vine. I rendered all of them on an iPad Pro with an Apple Pencil using Sketch Club and iColorama.

Iris.

Lily

Flowering Bower Vine

The #TimeVirus

I painted the Neanderthal image on an iPad Pro using Procreate and posted it back in 2016, (see post here including details on the Neanderthal skull). I created the background in Tayasui Sketches and “liquified” it in Procreate in 2019 (see that image further on down). Tolle’s talk prompted me to combine and adjust the two in Procreate and then iColorama as a way of making sense of the corona virus and reactions to it.

I hope you like the image and especially Tolle’s talk!

The #TimeVirus

Liquified Background

Liquified Background

Spending Extra Time with Those Who’ve Departed

In the last couple of weeks I’ve spent a fair amount of time on my iPad Pro rendering digital paintings of two friends, both musicians, both from Athens, OH, Jerry Schaffer and Bruce Ergood, who’ve recently passed away, and it’s beginning to become clearer to me that doing so, painting portraits of the dearly departed, creates an unusually liminal opportunity for me to spend bonus or lagniappe time with them. I’ve done it before, see my posts on Cuthbert or Lotfi, two examples that immediately come to mind; however, I’m only now coming to terms with certain dimensions of this experience.

The experience is obviously built on fond memories. Memories surface that evoke thoughts and feelings tied to familiar facial characteristics and other reminders as reflected in the photo references I use. Beyond that I can’t really add much; except that “muscle memory” and “day dreaming” are involved. It’s kinda’ improvisational and transcendental. In some ways it’s memory spilling into the Present Moment and being resurrected forever in the Now that tends to constantly escape us but that’s always there, or rather Here.

It was helpful in many ways having conversed by phone with Jerry’s Robin and Bruce’s Jane before digitally and free-handedly painting the portraits and experiencing this unexpected, extramural connection. The immediate grief embedded in those conversations continues to reverberate, which is helping me reprioritize things in my life as I age and, more broadly speaking, as we move into uncharted territories in relation to COVID 19. In both conversations this grief was scrambled and amplified by the pandemic, making what is already painfully real – really painful. And yet, grief has a way of shedding a new light on an old world, since, afterall, there’s no turning back.

Jerry Schaffer

Jerry Schaffer

Rest in Peace, Jerry (see obit):

Bruce Ergood

Bruce Ergood

Rest in Peace, Brucito (see obit):

Last Supper (Zoom)

Stay home for Christ’s sake!

What I’ve Learned from my Eleven Year Shit Show

I’ve reblogged posts from my neice, Linda before. She always has something to say, and it’s never based on vicarious experience. She’s generous, direct, and funny. So, from the bottom of my heart – via my funny bone – I share this post for your benefit and for the possible benefit of those in your circles just in case you sense any tangible or intangible applicability.

Jack Fine at the Old Point Bar in Algiers Point

In 2005 Ann and I moved to New Orleans and wound up buying a house in Algiers Point, 420 Alix St. to be exact. I especially loved the “420” part from the start. Good thing because, little did we know, Hurricane Katrina hit four months after we got there, but that’s another story. A few weeks before Ann and Jaxin showed up in late April, I had already moved in and started getting as much ready around the house as possible for their arrival. On my second night there, I strolled down to the Old Point Bar just a few blocks away. There was live music, so I found a place at the bar and ordered a beer. I can’t remember the name of the band, but I loved their sound. I sat there sipping my beer and listening to the music, and all of a sudden, the guy sitting next to me – at the bar – started playing his trumpet, kinda’ just like this (see Short Clip). Yes, he started playing his trumpet from his seat at the bar right next to me! I remember thinking, “live fucking music!”

That man’s name was Jack Fine. Look him up! He’s a legend. I’m not the one to tell you who he is or who he was. I just know he’s been all over. We talked during a break, and every time I’d see him after that, on a regular basis here and there, we’d greet each other and continue the same conversation. I got to meet the man before the legend.

I was thinking about Jack Fine earlier today, so I searched Google for a photo so I could sped some time with him, drawing him from a reference photo from this source. Ladies and gentlemen, Jack Fine:

Jack Fine

Jack Fine

If you know Jack Fine or of you’re familiar with his music/life, please use the comment section to share your two cents. Here’s the more recent piece I’ve found on Jack, age 91 (Aug. 2020). Thank you.

Technical; I drew the image free hand using the photo at the embedded link above on an iPad Pro with an Apple Pencil using the Sketch Club app along with a tweak or two in a cool iPad app called iColorama.

I may recline at some point

Sketch Club, iColorama, iPad Pro, Apple Pencil

Our old Terv, Cowboy…

…nearly 15! See other Cowboy posts.

Sketch Club stats: