ARTIST'S STATEMENT:
I want my artwork to comfort the afflicted and to afflict the comfortable. I want it to shed light and call attention to beauty, coherence, and unity; and, I want it to cast doubt on falsehoods, oversimplifications, and absurdities. I’d like to be instrumental in deepening our awareness and appreciation of the fullness of life, including its complexities, ambiguities, and paradoxes.
I draw and paint on an iPad with an Apple Pencil or my fingers using a variety of drawing/painting apps; although, I still work in wood and clay as well. iPads are portable and versatile, require little set up, and there’s no clean up. They’re the perfect medium for what I do. I can quickly convert ideas into illustrations and share them or time-lapse videos of them on social media. I can also prepare the images for printing on metal, paper, and canvas surfaces in a variety of sizes.
BIOGRAPHY:
Paul Longo has lived a relatively unconventional life. In his youth, he plowed through dyslexia (before teachers had ever heard of it) and learned that there is, indeed, more than meets the eye. In college, he read Don Quijote in Spanish for the first time and discovered an interest in anthropology. He went on to complete 3 graduate degrees and has lived and worked in 7 countries and 9 states since then. Paul has taught anthropology, education, Spanish, research and evaluation methods, and ESL at 6 different universities. These days he teaches digital art to adults with developmental disabilities and non-credit ESL to adults at a local community college.
Paul was also a Benedictine monk and lived in a monastery for nearly 8 years, until he met and married his wife. Together they were survivors of Hurricane Katrina as residents of New Orleans. But it was not until 2013, while living in a downtown loft in Des Moines, Iowa, that Paul complained to his wife, a CIO in higher education, about not having either a basement or a garage in which to make art. A few days later she gave Paul her old iPad with an installed drawing app and said, “here’s a studio for your lap.” Since then, not only have iPads become larger and more powerful, but the number of drawing and painting apps has increased and each one offers a unique set of features to create original artwork. Nowadays, Paul takes his "studio” everywhere he goes.
Throughout his eclectic journey, Paul has created and shared his art to make sense of the world, to give voice to new identities and experiences, and to engage more intentionally with others. To view more of Paul Longo’s works, digital and otherwise, visit his social media sites: www.portfoliolongo.com, twitter, YouTube, Instagram: @plongeaux, Facebook: Paul J. Longo
G’mornin’, my name is Cowboy, and I’m a 2005 Belgian Tervuren. It’s Saturday. I just ate. It’s time to play. I might take a short nap first, while I guard my favorite toy.
Something interesting happened last weekend while visiting friends. I saw a carving I had made nearly a quarter of a century ago, called Maryam’s monk, that prompted me to look at time – not only in terms of chronology but also as Kairos, which roughly corresponds to the difference between a minute and a moment.
Entranced as I was, I felt like never before the significance of a quote from Cervantes that I included in a recent post.Cada uno es hijo de sus obras. Roughly translated, Each of us is the son (or daughter) of his (or her) works. (Read how this was uttered by Sancho Panza in Don Quijote, Part 1, Chapter 47). Looking at the carving, which I’m now calling Maryam’s Monk (see photo below), I suddenly recalled in that moment how it was made and who I’d become since.
I don’t want to make light of this because it may be one of our most important projects, this notion of “finding one’s voice.” I’ve given it some study and thought; I’m a huge fan of Vygotsky, Bakhtin, and countless others…long story… I just wonder if it’s something that happens within a single instance (see image below), like at 3:30 am on a Tuesday or if it’s something that unfolds over time. It’s a big world, and there’s a whole lot of human variation; so, can I buy a vowel?
Practically unrelated except for the refrigerator…a seminary-class doodle from the mid 1980s.
I met some neighbors this morning at a yard sale. Actually, there were two yard sales, one on one side of the street and the other right across the street. One woman has been living there for 53 years…sharp as a tack and as friendly as they come. Another neighbor invited me in for a tour of the gardens, chicken coup, and house. We would have sat longer out front in the plentiful Ragsdale shade, if I hadn’t needed to get back and make lunch. How lucky we are to live along side these folks under all this shade!
Note: I’m still using Paper by 53 or 53 Paper or Fifty Three Paper and an inexpensive stylus. In this case I took and used a photo, but I also went out for a peek in person too after I started. I often think about getting and trying out another iPad drawing app, but there’s so much more to learn about Fifty Three Paper, so many technical things to learn about drawing. Trees are tough. I’ll never take them for granted, ever!