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About portfoliolongo.com

ARTIST'S STATEMENT: I want my artwork to comfort the afflicted and to afflict the comfortable. I want it to shed light and call attention to beauty, coherence, and unity; and, I want it to cast doubt on falsehoods, oversimplifications, and absurdities. I’d like to be instrumental in deepening our awareness and appreciation of the fullness of life, including its complexities, ambiguities, and paradoxes. I draw and paint on an iPad with an Apple Pencil or my fingers using a variety of drawing/painting apps; although, I still work in wood and clay as well. iPads are portable and versatile, require little set up, and there’s no clean up. They’re the perfect medium for what I do. I can quickly convert ideas into illustrations and share them or time-lapse videos of them on social media. I can also prepare the images for printing on metal, paper, and canvas surfaces in a variety of sizes. BIOGRAPHY: Paul Longo has lived a relatively unconventional life. In his youth, he plowed through dyslexia (before teachers had ever heard of it) and learned that there is, indeed, more than meets the eye. In college, he read Don Quijote in Spanish for the first time and discovered an interest in anthropology. He went on to complete 3 graduate degrees and has lived and worked in 7 countries and 9 states since then. Paul has taught anthropology, education, Spanish, research and evaluation methods, and ESL at 6 different universities. These days he teaches digital art to adults with developmental disabilities and non-credit ESL to adults at a local community college. Paul was also a Benedictine monk and lived in a monastery for nearly 8 years, until he met and married his wife. Together they were survivors of Hurricane Katrina as residents of New Orleans. But it was not until 2013, while living in a downtown loft in Des Moines, Iowa, that Paul complained to his wife, a CIO in higher education, about not having either a basement or a garage in which to make art. A few days later she gave Paul her old iPad with an installed drawing app and said, “here’s a studio for your lap.” Since then, not only have iPads become larger and more powerful, but the number of drawing and painting apps has increased and each one offers a unique set of features to create original artwork. Nowadays, Paul takes his "studio” everywhere he goes. Throughout his eclectic journey, Paul has created and shared his art to make sense of the world, to give voice to new identities and experiences, and to engage more intentionally with others. To view more of Paul Longo’s works, digital and otherwise, visit his social media sites: www.portfoliolongo.com, twitter, YouTube, Instagram: @plongeaux, Facebook: Paul J. Longo

Another Tap Handle

I started this drawing last night while sipping the featured subject but got carried away with a conversation at the bar. Two pints later and it was time to go. So I finished it off this morning with the help of a photo and plenty of dramatic license, as usual. Besides the beers, the woodwork itself at the 17th Street Public House is eye catching.

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FUD: Fear, Uncertainty, and Doubt

I know. I know. Some of you will say, these lenses are interchangeable, nobody is without bias, what about the MSNBC lens? My point is that we’re so good at polarizing that our conceptions now dominate our perceptions.

FUD

Inuit Proverb:  When the snow melts…

Actually, what inspired this drawing was a post I read earlier this morning related to educational evaluation on EVALTALK, the listserve of the American Evaluation Association.  The post references Bill Moyer’s PBS show and guest, Diane Ravitch, who, among other things, has explored FUD efforts.

Dogward Facing Back

Sometimes my mat is like a mirror, sometimes it’s like a black hole. At any rate I feel grounded when I sense my inner dog’s face staring back at me.

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17th Street Public House…(again)

Three of many, many, more…what can I say…how ’bout, time to ride my bike home and grill those burgers!

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The Problem with Premature Conclusions

A blog post written by my friend, William Fisher, inspired this drawing. I encourage you to read it. William has a lot to say, and he always pumps up my head with images. You know the concept of “least or lowest common denominator?” William addresses our technical and cultural resistance to exploring and discovering the potential inclusiveness, simplicity, and universal meanings that lie therein. Where? At the symposium; but, is there a common gathering place, a common language? It’s as if we’re naturally or habitually inclined, ok, some of us more than others, to individuate, to pursue the greatest or highest uncommon denominator. Look, check out his blog. I’ll let you draw your own insights, but just don’t jump to any conclusions.

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House by the Tracks

While riding my bike to the 17th Street Public House the other day, I noticed this house, and it’s stuck in my mind. I should redraw this house now and then.

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Ofelia

“You are new here.”
“Yes, this was my second time. I came last Tuesday too.”
“But you’ve done yoga before, you’re very flexible.”
“…[gulp]…[inhale…exhale]…thank you…”

Beyond comparison.
Seasoned Beginner.

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