The tār is a traditional Persian stringed instrument. As a matter of fact, the word tār means “string” in Persian and is also related to dotar, sitar, setar, and guitar. It was my dear friend, Sirous, who introduced me to the tār and other traditional Persian instruments, when we were both graduate students at the University of Pittsburgh in 1982. Sirous beautifully plays the tār, setar, daf, kamanche, tonbak, and probably others. Over the years, I’ve met a few of Sirous’ musician friends and had the pleasure of seeing them perform in both informal and formal settings. Many of these performances included the rendering aloud in Persian of the poetry of Hafiz, Rumi, and others. One of Sirous’ musician friends, who stood out not only because of his natural height, but also because of his prominent role in the revitalization of traditional Persian music, was Mohammad-Rezā Lotfi, about whom I’ve already illustroblogged. Take a look at this short, homemade video of Lotfi sitting on the floor playing tar among friends in a cozy setting. I just love the structure and shape of the Persian Tār, especially the tuning pegs!
21 Guitars, A Benefit Auction for the Merced Symphony
I’m one of 21 contributing visual and performing artists in one of this year’s fundraisers for the Merced Symphony, and my entry is the above image, which I did on an iPad Pro using an
Apple Pencil and the Sketch Club and iColorama apps. I had it printed on 24″ X 24″ canvas, 1.5″ bordered, solid color wrap through Bay Photo.
This Saturday, Jan. 19, 2019, is the Artists’ Reception for Passion, an exhibition of the Contemporary Humanistic Artists Association (CHAA) of Merced, CA. In the previous post on this illustroblog I described the show and presented the two pieces I entered. In this post I’m adding the following short video, a compilation of the Princess No. 2 School Pencil related pieces I’ve done over the last three and a half decades:
From my Artist Statement:
The Princess No. 2 School Pencil by Eberhard Faber has enchanted me for several decades; and I’ve tried to express this enchantment over time in traditional and digital ways. I love the shape, colors, and feel of this simple and elegant artifact, which has been instrumental in the expression of so many ideas, simple and complex. I’m moved by the unmistakable ways in which pencils sacrifice themselves physically in fulfillment of their instrumental, expressive mission; their erasers are often the first to go! Pencilitis and Milonga No. 2, both rendered freehand on an iPad, highlight in different ways the ordinary and extraordinary nature of this useful artifact.
Visit the show, and join us on January 19, 2019 5-7:30 pm at the Artists’ Reception (also ArtHop Merced night)! See short video on my “Pencil Passion” by clicking here.