Tayasui Sletches II
Fifty Something Something or Another
Mapping Isobarks in Dog Owners’ Sound Sheds
OK, I may be introducing some new terms and concepts here, so bear with me. If you Google sound shed, you’ll notice that sound shed has already been coined. However, it seems to have been fashioned somewhat literally, as in sounds in an actual shed out back. I’m using the term in a more figurative way, as in the way shed is used in water shed, where shed is like an amorphous vault within which phenomena can be associated, conceived, or perceived. For years I’ve used the expression view shed, and I don’t think I coined that. Similarly, smell shed; although, I haven’t heard or seen that used by anyone else, but imagine suddenly strolling into a hot, humid, summer, nightblooming jasmine, smell shed or rolling down your window at the landfill’s smell shed or being stuck in a meeting within a former hippie’s patchouli smell shed. So why not sound? Sound travels, and it wafts into a transterritorial volume that could, not easily, be measured in cubic increments, and if you’re situated within that dome, voluntarily or involuntarily, and if you’re equipped at least average hearing capability, then you and your normal ears are in a sound shed. If you’re lucky, it’s an outdoor concert, and your ears and other senses are being delighted, especially if you’ve already acquired a contact high because of associated smell-shed activity. If you’re unlucky, you’re in the sound shed of someone driving a vehicle that can barely hold itself together because every part is vibrating loose in response to awefully loud and offensive music; but, this is temporary. It passes.
If you’re really unlucky, you may find yourself held captive in an irresponsible dog owner’s sound shed, at the center of which is one or more innocent dogs. That’s what inspired this drawing. Let me emphasize that I find the owners culpable and not the dogs. They, these owners, as I have illustroblogged about elsewhere – oh, and here too – are speaking through their pets, and their message, encrypted as it is, is clear: “Forget about tranquility!”
Now, “Isobarks?” This is simply a way to visualize and measure the content and shape of this kind of sound shed. They’re self explanatory; but, if you have any questions, please feel free to use the comment section below.
Also, I have to be somewhat forgiving. In the first place, I have a dog. When my wife and I are away, and he’s alone, I’m not sure whether he’s creating a temporary sound shed with bright red isobarks. If so, well, I guess you could use the comment section below to create a complaint shed.
Cap de Ville
I grunt.
Headquarters portfoliolongo
Merced Art Hop
Almost two weeks ago I participated in – as an artist – my first Merced Art Hop (MAH). I was stationed at Binary Systems Computer Repair on the corner of Main St. and M St. in downtown Merced, CA.. About 20 people stopped in to chat and see prints on canvas and paper of my digital, iPad drawings. I learned a lot, sold a piece, and got an order for a larger canvas print of one of the images. As folks strolled by, I sketched these two drawings of my view shed in Procreate (with final touches in iColorama).
Shorelines
Public (Utility) Art
I see this bank of gas meters when I walk out into the alley behind the Merced Multicultural Arts Center, and each time I wonder, is it a mural? Is it public art?

One courageous barn owner volunteered her barn for a pilot study of sorts.









