Unknown's avatar

About portfoliolongo.com

ARTIST'S STATEMENT: I want my artwork to comfort the afflicted and to afflict the comfortable. I want it to shed light and call attention to beauty, coherence, and unity; and, I want it to cast doubt on falsehoods, oversimplifications, and absurdities. I’d like to be instrumental in deepening our awareness and appreciation of the fullness of life, including its complexities, ambiguities, and paradoxes. I draw and paint on an iPad with an Apple Pencil or my fingers using a variety of drawing/painting apps; although, I still work in wood and clay as well. iPads are portable and versatile, require little set up, and there’s no clean up. They’re the perfect medium for what I do. I can quickly convert ideas into illustrations and share them or time-lapse videos of them on social media. I can also prepare the images for printing on metal, paper, and canvas surfaces in a variety of sizes. BIOGRAPHY: Paul Longo has lived a relatively unconventional life. In his youth, he plowed through dyslexia (before teachers had ever heard of it) and learned that there is, indeed, more than meets the eye. In college, he read Don Quijote in Spanish for the first time and discovered an interest in anthropology. He went on to complete 3 graduate degrees and has lived and worked in 7 countries and 9 states since then. Paul has taught anthropology, education, Spanish, research and evaluation methods, and ESL at 6 different universities. These days he teaches digital art to adults with developmental disabilities and non-credit ESL to adults at a local community college. Paul was also a Benedictine monk and lived in a monastery for nearly 8 years, until he met and married his wife. Together they were survivors of Hurricane Katrina as residents of New Orleans. But it was not until 2013, while living in a downtown loft in Des Moines, Iowa, that Paul complained to his wife, a CIO in higher education, about not having either a basement or a garage in which to make art. A few days later she gave Paul her old iPad with an installed drawing app and said, “here’s a studio for your lap.” Since then, not only have iPads become larger and more powerful, but the number of drawing and painting apps has increased and each one offers a unique set of features to create original artwork. Nowadays, Paul takes his "studio” everywhere he goes. Throughout his eclectic journey, Paul has created and shared his art to make sense of the world, to give voice to new identities and experiences, and to engage more intentionally with others. To view more of Paul Longo’s works, digital and otherwise, visit his social media sites: www.portfoliolongo.com, twitter, YouTube, Instagram: @plongeaux, Facebook: Paul J. Longo

Just Another Night … Take My Wife-Please

Why didn’t I think of this in the first place?
(Here’s what I mean by “the first place.” I did this same drawing in another post entitled Stand-Up Anthropology with a different twist and corresponding word bubble roughly related to the old comedic phrase, take my wife. As I was doing that post, it occurred to me that it might be even more anthropologically relevant and perhaps funnier, per se, for a female comedian to utter that old line in a regular comedy-club setting.)

image-1

Stand-Up Anthropology

$20.00 says there’s a cultural alternative to “Take my wife – please.”

image-2

What would Henny Youngman say?

Precious Water

As we move from the Hartford of the West (Des Moines, IA) to the Gateway to Yosemite (Merced, CA), from the nation’s breadbasket to not far from its salad bowl, we’ll have to keep an eye on water like never before.  Water is a finite and precious resource practically everywhere, and this is especially true in the San Joaquin Valley.

image

City of Merced, Gateway to Yosemite

unnamed

Nobody Likes Change (or Complexity)

I once heard a change-management consultant tell a conference room full of hospital administrators, physicians, and staff … “the only person who likes change is a baby with a wet diaper.” (Hey, I subsequently dealt with this image, click here to see.) I was one of those administrators in that conference room in New Orleans about six months after Hurricane Katrina at a hospital whose survival depended upon a very deliberate and systematic organizational transformation; and yet the natural forces of resistance to change – among the victimized and exhausted few who were not temporarily or permanently displaced – were functional and ready for a good fight. It’s only natural. However, there was no alternative in this case. The organizational and structural changes simply had to take place and the resistance to change had to become collaboration in change; and this happened in large part due to an extraordinarily unique combination of chronic passion (joie de vivre) and acute Katrina fatigue in an extraordinarily unique context in an extraordinarily unique city.

However, when the need for change is perceived as optional and any sense of urgency is a matter of opinion, development efforts can drag on for years, resistance to change can become business as usual, and collaboration can be confined to ongoing turf battles. Even when complicated baseline findings of the communities’ perceived needs are available and displayed along side the communities’ complicated aspirations for all to compare, there can be voices crying out for simplicity and ease … but not for change.

image-4

 

If I ever do this again, I’ll try to remember to start off with that catchy quote about the baby, the diapers, and change, which reminds me of a drawing/post I have up my sleeve about calzones and how I suspect that this term, which means pants, really comes from little, little pants…diapers?  The fullness of diapers?

Ney & Tombak

One of these days I’ll tell the story of how I became familiar with traditional Persian music. It has been a love affair of more than 30 years! On one of our flights back from CA to IA I was listening to a beautiful piece that featured the Persian ney and tombak, and this little drawing was inspired. If you’re not familiar with this music or these instruments, then I simply suggest that you look them up on YouTube. It’s been a long day; otherwise, I would supply a link or two.

20140113-012752.jpg

Both Hands Firmly Gripping the Rearview Mirror

I’ve caught myself driving this way. It’s safer to go into the direction you’re heading.

20140112-091507.jpg

Coming to a Doorway Near Me

If you’ve moved around, then you’ll probably agree with me that one of the more disorienting and challenging aspects about being new to a living environment is trying to become accustomed to where the light switches are and which lights they control. Maybe there are customs, suggested practices, heck, maybe there are codes, but for each there is an exception. As a result, the modern placement of light switches is most likely governed by Hermes himself.

The questions about light-switch placement at every doorway, every passageway include:
Is it on this side or that side?
Is on the right or left?
Is it grouped logically or illogically with other lights, exhaust fans, garbage disposals, etc?
Is it, in fact, a real light switch or is it a placebo switch that was installed by a previous occupant who majored in experimental psychology?
Are there more?

20140111-083036.jpg

Cypress Trees in Merced, CA

Sat. March 8, 2014 UPDATE: Two months ago, when I did the drawing below, (Jan. 2014), little did I know that we would end up renting a place only 0.7 miles from this particular stretch of E. South Bear Creek, i.e., four min. by bicycle:

I’ve fallen love with these beautiful cypress trees…again. I’ve always loved them; and to see them alone, in pairs, and in stands is a delight. As we meet up with realtors and property managers at various locations throughout Merced, there are always a few cypress trees in plain sight. This particular stand is located along Bear Creek Road. As you look to the east, if you’re able to see around these trees on a clear day, the Sierra Nevada Mountains are visible, and you can hear them whisper, “Come closer!”

20140110-080734.jpg

Some little baby cypress trees:

20140110-130831.jpg

Citizen-Passengers of the Exit Row

Prior to take off, the citizen-passengers of Flight #US 530 explored the notions of high-altitude community service and civic duty, examined the exit seat eligibility and performance criteria, and posed critical questions that could very well affect the destinies of all on board.

20140108-135600.jpg

Strategy Only, Please

All of the uncertainty out there seems to have underscored the importance of strategy above all in development initiatives.  (See also Nobody Likes Change or Complexity.)

20140106-235425.jpg

OK, mea culpa.