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About portfoliolongo.com

ARTIST'S STATEMENT: I want my artwork to comfort the afflicted and to afflict the comfortable. I want it to shed light and call attention to beauty, coherence, and unity; and, I want it to cast doubt on falsehoods, oversimplifications, and absurdities. I’d like to be instrumental in deepening our awareness and appreciation of the fullness of life, including its complexities, ambiguities, and paradoxes. I draw and paint on an iPad with an Apple Pencil or my fingers using a variety of drawing/painting apps; although, I still work in wood and clay as well. iPads are portable and versatile, require little set up, and there’s no clean up. They’re the perfect medium for what I do. I can quickly convert ideas into illustrations and share them or time-lapse videos of them on social media. I can also prepare the images for printing on metal, paper, and canvas surfaces in a variety of sizes. BIOGRAPHY: Paul Longo has lived a relatively unconventional life. In his youth, he plowed through dyslexia (before teachers had ever heard of it) and learned that there is, indeed, more than meets the eye. In college, he read Don Quijote in Spanish for the first time and discovered an interest in anthropology. He went on to complete 3 graduate degrees and has lived and worked in 7 countries and 9 states since then. Paul has taught anthropology, education, Spanish, research and evaluation methods, and ESL at 6 different universities. These days he teaches digital art to adults with developmental disabilities and non-credit ESL to adults at a local community college. Paul was also a Benedictine monk and lived in a monastery for nearly 8 years, until he met and married his wife. Together they were survivors of Hurricane Katrina as residents of New Orleans. But it was not until 2013, while living in a downtown loft in Des Moines, Iowa, that Paul complained to his wife, a CIO in higher education, about not having either a basement or a garage in which to make art. A few days later she gave Paul her old iPad with an installed drawing app and said, “here’s a studio for your lap.” Since then, not only have iPads become larger and more powerful, but the number of drawing and painting apps has increased and each one offers a unique set of features to create original artwork. Nowadays, Paul takes his "studio” everywhere he goes. Throughout his eclectic journey, Paul has created and shared his art to make sense of the world, to give voice to new identities and experiences, and to engage more intentionally with others. To view more of Paul Longo’s works, digital and otherwise, visit his social media sites: www.portfoliolongo.com, twitter, YouTube, Instagram: @plongeaux, Facebook: Paul J. Longo

Torre del Veguer

In the Spring of 2016 Annyth and I spent a week with a group of 17 people at a villa (Can Pares) on the outskirts of Sitges in the Penedès wine and cava region in Catalonia, celebrating the 60th birthday of a friend. Located next door was a winery in a former castle, Torre del Veguer, which I featured in another post on this illustroblog.
Here’s a digital painting of Torre del Veguer, which I had printed on canvas as a gift of gratitude for our friend, Marjorie, the birthday girl.

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Procreate, iColorama, iPad Pro, Apple Pencil
Partial progress video:

Surfacing

Here’s a digital image for you, one I’m calling, “Surfacing.” It’s not a very Christmas-like image…at first glance; however, there is “divine birth” dimension. Where? How? WTF?

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As a beginner in the practice of meditation, mindfulness, and yoga, I’ve discovered something about the content of my own attention and the breadth of its span. Most of what I pay attention to has nothing to do with the actual spatial and temporal dimensions of the situations that I inhabit; and my five senses usually just go along for the ride throughout the day. That’s another way of saying that I’m rarely “in the moment.” Most of the time my mind is automatically wandering and dragging around clusters of feelings that reside in my muscles’ memories. I’m basically flying around and around in a bird cage whose little door is wide open but somehow hidden from my view.

I ruminate, therefore I am; and my rumination is my ruination. All of that highly-evolved cognitive activity that we call thinking, so necessary for our survival as a species, keeps us alive and incarcerated by decommissioning our senses. If we can’t see the open door, we won’t fly away. We’re taught to fear freedom by our own trauma. The curriculum for this self destruction is saturated in our flesh and bones; at the collective level it’s encoded in our enculturation and socialization processes to keep the entire flock from flying away.

Sometimes when I’m on my cushion, my mat, or my iPad Pro, I lean into an arbitrary assignment automatically delivered to me by this mostly destructive curriculum. I do so because I’ve learned that avoiding or denying them nourishes them. I’ve learned that leaning in requires an effort, takes practice, and yields dividends. I wonder if it’s a sin to vacate the Present Moment?

“Surfacing” is the result of one of these leaning into’s. Yesterday I managed to notice the compulsive appearance of one of these arbitrary assignments as it surfaced. Rather than repressing it and the scary feelings accompanying it, I entertained it momentarily before it disappeared. It grabbed the tissues of the moment I inhabited and the body I inhabit. It seemed real. With its sharp claws it tugged at and stretched the membrane of the living moment encapsulating me…until…poof!

By the time I noticed exhaling, it was gone, Merry Christmas, and another assignment had arrived.

Absolute Moral Relativity

no words

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Pence

For a 32-second video of the making of Pence, click here.

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Either/or Anymore

 

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iPad art, Paper 53 or Paper 4 not sure anymore, iColorama to sharpen, Procreate to illuminate the red and green lights, Apple Pencil.

Annual Christmas Letter: Q

As is our holiday custom, the staff at portfoliolongo.com puts out an Annual Christmas Letter, click here for previous letters. This year’s letter is Q. Merry Christmas and Happy New Year.

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Digital iPad art done mainly in SketchClub on an iPad Pro with an Apple Pencil

The CHAA Sketch

CHAA stands for the Contemporary Humanitarian Artists Association. It was formed in 1985 “in an effort to build creativity and community for artists living and working in the region around Merced, CA. While the members have changed over the years, the goals of the collective remain constant. We come together with a shared philosophy – that creativity, contemplation, and exploration are key to the human spirit.” I’ve only been associated with these fine people for the past 6 months, but I can already feel the philosophy in my bones. Visit CHAA’s FB page to keep up with the forthcoming shows.

So what does this have to do with illustroblogging at portfoliolongo.com? Here’s the story of this group caricature of CHAA:

Several months ago CHAA met at its regular monthly time on a Tuesday evening, and we posed for a group photo:

I thought it would be fun to do a cartoon-like caricature of the group. So I cranked this out in Sketch Club, an iPad drawing app:

Sketch Club provides a variety of backgrounds and frames, and I thought it would be fun to use the Etchasketch frame, since it’s digital art and all that; plus, there may even be a few people still alive who remember what an Etchasketch is.

On the night of the group photo, of course, we realized three people were missing. So I worked with Cheryl Barnett, who administers CHAA’s Facebook page to find photos of the three missing CHAA members and to add them to the group caricature. It was an iterative process to say the least, but a fun one. I could easily show a dozen iterations. If you look closely, you’ll see some changes here and there in addition to the three additional artists. I’ll skip to one of the final drafts before I dropped it into the Etchasketch frame:

This kept me out of trouble for a while, and as you can imagine, the effort allowed me to ponder and appreciate each and every person and the group as a whole.

Technically speaking, as I mentioned, I mainly used Sketch Club on my iPad Pro with an Apple Pencil on this free-hand drawing. I did some occasional tweaking in iColorama and a desktop application called ON1 Photo. Sketch Club, by the way, is a lot of fun, and it was a pleasure learning about and working in it rather than Procreate, my “go to” iPad drawing app.

As usual, let me know what you think.

So Small!

Smaller by the day. I’m

Scooterman

Suddenly, there he was in the privileged left-turn-only lane about to head north on G St. He exuded energy efficiency and playfulness.

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