Yes, it was Yogi Berra who said, “When you come to a fork in the road, take it.”
Tag Archives: scripted discourse
Standard Lobotomy: A 15 Sec. Animation
When we as Americans speak of our crumbling infrastructure, we focus on rusty bridges and other examples of tangible decay and neglect, and we tend to overlook the undesirable, long-term, and initially intangible effects on human capital precipitated by the steady erosion over time of investment in and support for public education.
Sketch Club, Photo Speak, Videoshop
Vacillation Over Time
A few days ago I posted a drawing of a road sign that depicted, in theory, “four possible routes,” one of which is indicated as “temporarily closed.” In that post I referenced a paper by George Spindler that I think helps to explain these “four alternatives.” By all means feel free to check out that reference to see how Spindler applies this typology to what happens when prospective teachers undergo teacher education, how they integrate exposure to countervailing approaches to teaching and learning, and what effect that heterodoxy has on their teaching styles once in the classroom with real students. What’s stuck with me ever since I was first introduced to Spindler’s framework in the early 1980s as a grad student in anthropology, besides its timeless applicability in terms of teacher education, is its essential typological power and generalizability, especially in the polarized context of our current political discourse.
To shorten this a bit, I’ll pose a question. How many sides are there to the story? Two right? Two because you’re either right or wrong, right? Two because there’s good and bad, black and white, up and down, in and out, and so on, right? Well, you guessed it; not so fast, right? Right.
Spindler’s typology, while its used in a purely inconspicuous and instrumental fashion, helps us see that there are perhaps more than two sides to the story, as it were. And here’s the thing. There aren’t just three sides either, you know, that side that magically emerges whenever you look at both sides of the story…in what some might call a fair and balanced approach. No, no magic here, even though that’s heading in the right direction. Why? Because it’s very possible and even more tempting to look at two sides (or more) in an unfair and imbalanced way. In Spindler’s typology those who incompetently, unfairly, and inconsistently look at both sides of the story are identified as Vacillators. So now there are at least three ways to get carried away by the story: (See Temporarily Closed)
1. Exaggeratedly right-leaning (i.e., crazy from the get go coming from the Right). Derived from Spindler’s Reaffirmative Traditionalist,
2. Exaggeratedly left-leaning (i.e., crazy from the get go coming from the Left). Derived from Spindler’s Compensatory Emergentist, and
3. Incompetently and inconsistently both right-ish and/or left-ish leaning (i.e., even crazier coming at times from both sides without even knowing it). Derived from Spindler’s Vacillator, the most dangerous and destructive orientation.
Now, there is a fourth side that Spindler calls the Adjusted. This orientation requires the most cultural, communicative, and interactive competence. My aim is to identify myself as an Adjusted, but in all honesty, I admit that I’m not always successful.
Where do you see yourself?
Click on Spindler 1959 for typological clues. [See a subsequent post, Vacillation Over Time for clarification.]
The Social Media Circus
We rented The Elephant Man (1980) a couple of weeks ago and subsequently learned that it was Mel Brooks who hired David Lynch to direct the film. (See also the Wikipedia entry.) Who better to influence the portrayal of the circus!
The film moved me and helped me to understand a little better what is dramatized in the Comments Section of so many posts in social media, something I’ve tried to deal with elsewhere.