I hardly ever post anything about the English as a Second Language (ESL) classes I teach. I always take my iPad and project it onto a large screen. Oftentimes, I do a digital drawing in Paper 53 that accompanies a set of scrambled words that I ask students to unscramble. It works especially well at the very beginning of my multi-level, adult, beginning ESL classes as students trickle in. Here’s a collection of a few that I’ve recently used.
This is a re-do. I already posted a digital iPad drawing done in Paper 53 of Gabriel García Márquez, click here to see that post if you’re so inclined click here to see that post if you’re so inclined, but I felt like doing another in Sketch Club for the hell of it. Click therethere to see the translation, if need be.
The other night, after we went to see Dunkirk, now that’s patriotism, and had a beer at the 17th St. Pub, we strolled over to Bella Luna for another beer and some great grub. On the way out Ann snapped a shot of the Bella Luna food truck out front. She’s got such a good eye! She’s always on the look out for cool things that I might draw on my iPad.
– click on image to enlarge –
Done mostly in Paper 53.
Side by side, free-hand, digital painting in Paper 53
When I think of Bella Luna, besides good food, drink, and atmosphere, I think of this scene from from Moonstruck. Please enjoy.
Here’s yet another Trumpy cartoon inspired by my own depression and outrage. What bothers me the most is when Trump or anyone for that matter refers to “the American people” without any regard for the quantitative, demographic accuracy of that useless label. I’ve read and heard that Trump’s base amounts to about 20% of the total population; that’s hardly “the American people,” that’s one fifth of the American people. His Royal Highness is not the only one to round things up to the nearest gabillion. Too many others do it, and each time it’s done, each time we find ourselves up to our ears in propaganda, it gets harder and harder to realize that we’re really up to our ears in real diversity, the kind that makes some people really nervous…and authoritarian. See also Schmatistics.
The sleeves are fine. How soon can you let out the pants?
I started this Paper 53 piece last evening while stationed – along with 5 other Art Hop artists – at Cue Spot Billiards in downtown Merced, CA. The emotion that I wanted to convey was linked to my finding out that none of my digital painting entrees was selected by jurors for inclusion into this year’s top one hundred at the Mobile and Digital Arts and Creativity Summit (mDAC) 2017. You may recall that I had a piece selected in mDAC 2016 and one in mDAC 2015. This year’s winners are really awesome, click here to take a peek. So, I’m a little disappointed; but, I’m using the development as an opportunity to re-evaluate my artistic vision as part of the coaching and rebranding process that I’m currently engaged in. In that process I’m trying to articulate not so much what I do, or even how I do what I do, but rather why I do it. I’m having some insights, thanks to Adam James Butcher’s coaching process. So let me go back to piecing together some things and dismantling others.
A rite of passage, a transition ceremony of sorts! Andrew’s identity changed when he left the group of non-shoe tyers and became a member of the shoe-tyers group.
Click on image to enlarge it. Incidentally, this actually happened in the mid 1990s, a couple of years after completing my doctorate, and it encapsulated in a single episode my sociolinguistically-oriented dissertation research in a bilingual Kindergarten classroom near Washington, DC in the mid 1990s that was undergoing a reform of its mathematics curriculum. Learning is identity change. Andrew has never been the same ever since!