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About portfoliolongo.com

ARTIST'S STATEMENT: I want my artwork to comfort the afflicted and to afflict the comfortable. I want it to shed light and call attention to beauty, coherence, and unity; and, I want it to cast doubt on falsehoods, oversimplifications, and absurdities. I’d like to be instrumental in deepening our awareness and appreciation of the fullness of life, including its complexities, ambiguities, and paradoxes. I draw and paint on an iPad with an Apple Pencil or my fingers using a variety of drawing/painting apps; although, I still work in wood and clay as well. iPads are portable and versatile, require little set up, and there’s no clean up. They’re the perfect medium for what I do. I can quickly convert ideas into illustrations and share them or time-lapse videos of them on social media. I can also prepare the images for printing on metal, paper, and canvas surfaces in a variety of sizes. BIOGRAPHY: Paul Longo has lived a relatively unconventional life. In his youth, he plowed through dyslexia (before teachers had ever heard of it) and learned that there is, indeed, more than meets the eye. In college, he read Don Quijote in Spanish for the first time and discovered an interest in anthropology. He went on to complete 3 graduate degrees and has lived and worked in 7 countries and 9 states since then. Paul has taught anthropology, education, Spanish, research and evaluation methods, and ESL at 6 different universities. These days he teaches digital art to adults with developmental disabilities and non-credit ESL to adults at a local community college. Paul was also a Benedictine monk and lived in a monastery for nearly 8 years, until he met and married his wife. Together they were survivors of Hurricane Katrina as residents of New Orleans. But it was not until 2013, while living in a downtown loft in Des Moines, Iowa, that Paul complained to his wife, a CIO in higher education, about not having either a basement or a garage in which to make art. A few days later she gave Paul her old iPad with an installed drawing app and said, “here’s a studio for your lap.” Since then, not only have iPads become larger and more powerful, but the number of drawing and painting apps has increased and each one offers a unique set of features to create original artwork. Nowadays, Paul takes his "studio” everywhere he goes. Throughout his eclectic journey, Paul has created and shared his art to make sense of the world, to give voice to new identities and experiences, and to engage more intentionally with others. To view more of Paul Longo’s works, digital and otherwise, visit his social media sites: www.portfoliolongo.com, twitter, YouTube, Instagram: @plongeaux, Facebook: Paul J. Longo

Last Saturday’s Art Hop at Aces & Kings Cheesesteak

I was stationed at Aces & Kings Cheesesteak last Saturday, Jan. 20, 2018. While I was there, I was playing around demo-ing in Sketch Club on my iPad Pro with my Apple Pencil.

Croz Retweeted My Photo-Mash-Up

I follow David Crosby on Twitter @thedavidcrosby. I love his voice, his music, and his viewpoints. He’s quite interactive with his many fans, incidentally.
You may recall that I’ve illustroblogged about David Crosby on these very portfoliolongo.com pages, click here for two examples, three now.
After following him on Twitter for a while, I found out that, in addition to everything else I had expected, he’s a good sport. So when I tweeted him the following photo-mash-up, he retweeted it, and for weeks I was receiving notification after notification from Twitter that his fans were liking it, retweeting it, and even commenting on it. I’ll share the mash-up, the tweet’s stats as of today, and one funny comment below:
Mash-Up

Stats (as of 1/18/8):

Funny comment:
Hey David, if you ever wanna do an endorsement deal they could call them “Croz-oats: The breakfast of Hippies”

Water Tower Down There Again

Several times a day I see that Water Tower Down There Again and again. It’s the same water tower I’ve rendered over and over, please click here to see the other renderings. I usually see it while I’m walking Cowboy, and since it’s located between us and the sunrise to the east, the views are generally more dramatic on our morning walks. I cherish that water tower in ways that encapsulate and set me free.

click on image to enlarge

iPad Pro, Apple Pencil, Sketch Club, iColorama, and Procreate

Videodigital Leitmotif

Back to my roots: Videodigital Leitmotif. Turn your sound on, and say that 10 times.
Videodigital Leitmotif, Videodigital Leitmotif, Videodigital Leitmotif, etc.

Torre del Veguer

In the Spring of 2016 Annyth and I spent a week with a group of 17 people at a villa (Can Pares) on the outskirts of Sitges in the Penedès wine and cava region in Catalonia, celebrating the 60th birthday of a friend. Located next door was a winery in a former castle, Torre del Veguer, which I featured in another post on this illustroblog.
Here’s a digital painting of Torre del Veguer, which I had printed on canvas as a gift of gratitude for our friend, Marjorie, the birthday girl.

click on image to enlarge

Procreate, iColorama, iPad Pro, Apple Pencil
Partial progress video:

Surfacing

Here’s a digital image for you, one I’m calling, “Surfacing.” It’s not a very Christmas-like image…at first glance; however, there is “divine birth” dimension. Where? How? WTF?

click on image to enlarge

As a beginner in the practice of meditation, mindfulness, and yoga, I’ve discovered something about the content of my own attention and the breadth of its span. Most of what I pay attention to has nothing to do with the actual spatial and temporal dimensions of the situations that I inhabit; and my five senses usually just go along for the ride throughout the day. That’s another way of saying that I’m rarely “in the moment.” Most of the time my mind is automatically wandering and dragging around clusters of feelings that reside in my muscles’ memories. I’m basically flying around and around in a bird cage whose little door is wide open but somehow hidden from my view.

I ruminate, therefore I am; and my rumination is my ruination. All of that highly-evolved cognitive activity that we call thinking, so necessary for our survival as a species, keeps us alive and incarcerated by decommissioning our senses. If we can’t see the open door, we won’t fly away. We’re taught to fear freedom by our own trauma. The curriculum for this self destruction is saturated in our flesh and bones; at the collective level it’s encoded in our enculturation and socialization processes to keep the entire flock from flying away.

Sometimes when I’m on my cushion, my mat, or my iPad Pro, I lean into an arbitrary assignment automatically delivered to me by this mostly destructive curriculum. I do so because I’ve learned that avoiding or denying them nourishes them. I’ve learned that leaning in requires an effort, takes practice, and yields dividends. I wonder if it’s a sin to vacate the Present Moment?

“Surfacing” is the result of one of these leaning into’s. Yesterday I managed to notice the compulsive appearance of one of these arbitrary assignments as it surfaced. Rather than repressing it and the scary feelings accompanying it, I entertained it momentarily before it disappeared. It grabbed the tissues of the moment I inhabited and the body I inhabit. It seemed real. With its sharp claws it tugged at and stretched the membrane of the living moment encapsulating me…until…poof!

By the time I noticed exhaling, it was gone, Merry Christmas, and another assignment had arrived.

Absolute Moral Relativity

no words

Click on image to enlarge

Pence

For a 32-second video of the making of Pence, click here.

Click on image to enlarge

Either/or Anymore

 

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iPad art, Paper 53 or Paper 4 not sure anymore, iColorama to sharpen, Procreate to illuminate the red and green lights, Apple Pencil.