ARTIST'S STATEMENT:
I want my artwork to comfort the afflicted and to afflict the comfortable. I want it to shed light and call attention to beauty, coherence, and unity; and, I want it to cast doubt on falsehoods, oversimplifications, and absurdities. I’d like to be instrumental in deepening our awareness and appreciation of the fullness of life, including its complexities, ambiguities, and paradoxes.
I draw and paint on an iPad with an Apple Pencil or my fingers using a variety of drawing/painting apps; although, I still work in wood and clay as well. iPads are portable and versatile, require little set up, and there’s no clean up. They’re the perfect medium for what I do. I can quickly convert ideas into illustrations and share them or time-lapse videos of them on social media. I can also prepare the images for printing on metal, paper, and canvas surfaces in a variety of sizes.
BIOGRAPHY:
Paul Longo has lived a relatively unconventional life. In his youth, he plowed through dyslexia (before teachers had ever heard of it) and learned that there is, indeed, more than meets the eye. In college, he read Don Quijote in Spanish for the first time and discovered an interest in anthropology. He went on to complete 3 graduate degrees and has lived and worked in 7 countries and 9 states since then. Paul has taught anthropology, education, Spanish, research and evaluation methods, and ESL at 6 different universities. These days he teaches digital art to adults with developmental disabilities and non-credit ESL to adults at a local community college.
Paul was also a Benedictine monk and lived in a monastery for nearly 8 years, until he met and married his wife. Together they were survivors of Hurricane Katrina as residents of New Orleans. But it was not until 2013, while living in a downtown loft in Des Moines, Iowa, that Paul complained to his wife, a CIO in higher education, about not having either a basement or a garage in which to make art. A few days later she gave Paul her old iPad with an installed drawing app and said, “here’s a studio for your lap.” Since then, not only have iPads become larger and more powerful, but the number of drawing and painting apps has increased and each one offers a unique set of features to create original artwork. Nowadays, Paul takes his "studio” everywhere he goes.
Throughout his eclectic journey, Paul has created and shared his art to make sense of the world, to give voice to new identities and experiences, and to engage more intentionally with others. To view more of Paul Longo’s works, digital and otherwise, visit his social media sites: www.portfoliolongo.com, twitter, YouTube, Instagram: @plongeaux, Facebook: Paul J. Longo
I’m just a few posts shy of 200 here at portfoliolongo.com. I never imagined back in early November 2013 that I’d be looking at a couple of hundred posts in nine months! But what’s even more astonishing is, thanks to the small tracking feature that WordPress provides, the number of views by country. Thanks for visiting and check this out:
My layers got out of control. I ended up just going with the Procreate flow, backwash is more like it.
It started when Annyth and I made a relatively unexpected stop at the 17th Street Public House for a porter, no make that two for each of us after squeezing in a couple of delivered tacos from J&R Tacos at halftime. Yea, it became an outing.
And there I was staring at a cool Dogfish Head tap head, which I photographed, brought home, and started playing with. Part of that photo remains in today’s image, but that particular portion – and the drawing itself – kept resizing themselves within their layers. At any rate, here’s where I decided to draw the line and scream kaput!
Some of these Procreate brushes and textures help me come to non terms with Yoga. This may be one of the ways I can come to terms with Procreate’n stuff.
I’m actually having a dickens of a time with Procreate. There are so many different features to explore and try out that it’s throwing off my game. This one slipped through the funk:
Another version of Never Gonna Be the Same (Jan. 2010).
← Click to enlarge
Click to play↓
Music: 12 String Taylor guitar, open G tuning, composed by Plongeaux in NOLA, Jan. 2010 just before the Saints won the Super Bowl.
Video: iMovie, Photo Booth, MacBook Pro
Image(s): OK, this requires some splainin’… I “grabbed” the above photo from the video, edited it in My Sketch, an iPad app, imported it into Procreate and added additional material, i.e., the dude in the doorway fucking with the lightswitch. At the end of the video, where it says visit: http://www.propriolongo.com, well, that was done in Procreate and exported as a video clip, which I then added to the end of the video.
It’s the fetal position, our oldest, most common, and most familiar position. Whether you’re somehow thrown into this position or assume it voluntarily, and if you’re inclined to pray – as a believer or sometimes believer – try these four words on for size: Have mercy on us. We are not qualified to say anything more. NO EXCEPTIONS. Make little fists, no finger pointing.
Technical:
Procreate works with layers and accommodates the importation of photos. As I experiment with this iPad drawing app, I’ve been trying out some photo references, like today’s, some additional layers, some new “brushes,” and so forth. Ultimately, I deleted that layer that carried the photo and kept the others. There’s more than one way to do things…