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About portfoliolongo.com

ARTIST'S STATEMENT: I want my artwork to comfort the afflicted and to afflict the comfortable. I want it to shed light and call attention to beauty, coherence, and unity; and, I want it to cast doubt on falsehoods, oversimplifications, and absurdities. I’d like to be instrumental in deepening our awareness and appreciation of the fullness of life, including its complexities, ambiguities, and paradoxes. I draw and paint on an iPad with an Apple Pencil or my fingers using a variety of drawing/painting apps; although, I still work in wood and clay as well. iPads are portable and versatile, require little set up, and there’s no clean up. They’re the perfect medium for what I do. I can quickly convert ideas into illustrations and share them or time-lapse videos of them on social media. I can also prepare the images for printing on metal, paper, and canvas surfaces in a variety of sizes. BIOGRAPHY: Paul Longo has lived a relatively unconventional life. In his youth, he plowed through dyslexia (before teachers had ever heard of it) and learned that there is, indeed, more than meets the eye. In college, he read Don Quijote in Spanish for the first time and discovered an interest in anthropology. He went on to complete 3 graduate degrees and has lived and worked in 7 countries and 9 states since then. Paul has taught anthropology, education, Spanish, research and evaluation methods, and ESL at 6 different universities. These days he teaches digital art to adults with developmental disabilities and non-credit ESL to adults at a local community college. Paul was also a Benedictine monk and lived in a monastery for nearly 8 years, until he met and married his wife. Together they were survivors of Hurricane Katrina as residents of New Orleans. But it was not until 2013, while living in a downtown loft in Des Moines, Iowa, that Paul complained to his wife, a CIO in higher education, about not having either a basement or a garage in which to make art. A few days later she gave Paul her old iPad with an installed drawing app and said, “here’s a studio for your lap.” Since then, not only have iPads become larger and more powerful, but the number of drawing and painting apps has increased and each one offers a unique set of features to create original artwork. Nowadays, Paul takes his "studio” everywhere he goes. Throughout his eclectic journey, Paul has created and shared his art to make sense of the world, to give voice to new identities and experiences, and to engage more intentionally with others. To view more of Paul Longo’s works, digital and otherwise, visit his social media sites: www.portfoliolongo.com, twitter, YouTube, Instagram: @plongeaux, Facebook: Paul J. Longo

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Lunar Roving Vehicle (LRV), Apollo 15, 1971, Parking Meter, 10 cents, 2 hours

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Note: Three LRVs from Apollo 15, 16, and 17 (1971 and 1972) remain on the moon. Who’s feeding the meter?

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Uplifting and Educational

Take a look at the short video clip below, and you’ll see what inspired me to do this sketch:

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Windshield Wiper for iPad

If it’s already on the market, please don’t tell me.  Something Ann said over the phone this evening made me think of the concept, but I can’t remember what.  As I sketched it, I thought of my father and how he would routinely save a half a meatball in order to sop up the remaining spaghetti sauce on his plate. Invariably, as Spring follows Winter, one drop of spaghetti sauce would land on his tie or shirt.  If he were still with us, he’d probably need one of these:

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Related products: The iLighter.

Cottonwood Bark

Now that I have some space, i.e., a garage and a patio area, to kick up some dust, I’ve started putzing around.

Two cottonwood bark carvings I did in 2013.
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Pencil Theme?

There’s definitely a pencil theme here. I plan to do many more of all sizes.  Some sketches from way way back: 

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Faded Muscle Memories

It’s time to roll out my mat and resume my war on chronology.

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Context: Beer (inter alia)

On our very first visit to Merced, CA in January of this year, while Ann was interviewing and being interviewed, I was engaged in a contextual research project.  That’s when I first stumbled into the 17th Street Public House; and, that’s when I began imagining our own potential immersion, our own possible intertwinement in this new context, to honor the texture of this metaphor. Fast forward, and we’re here in Merced, and I’m already making comparisons between my initial research findings and those related to a similar investigation that I conducted at El Bait Shop in Des Moines, Iowa four years ago.  At any rate, I’m pleased that we’ll be able to take part in the Great Beer Movement that’s happening here and throughout the country.  Kinda’ makes me feel at home.

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Taking Everything Personally: Tic-Tac-Mitote

As much as I try to embrace Don Miguel Ángel Ruiz’s Four Agreements, my mitote place me in situations in which it seems like there’s no alternative but to take things personally.

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The Stages of Moving

Moving is multidimensional and has stages, evidently. In some rooms it’s time to start hanging things and thinking about color; in others I haven’t even found the light switches.

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Wrinkle-Free?

This actually happened, and I actually said that. I wasn’t mean or anything, but I did go into the store, Lowes, with the exact model numbers that I had obtained from Consumer Reports. I ordered the other, less expensive set…the set that comes with wrinkles. Lowes delivered it and installed it; and they’re both working fine. I can live with wrinkles.

(Prices may vary depending on location. Batteries not included.)

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