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About portfoliolongo.com

ARTIST'S STATEMENT: I want my artwork to comfort the afflicted and to afflict the comfortable. I want it to shed light and call attention to beauty, coherence, and unity; and, I want it to cast doubt on falsehoods, oversimplifications, and absurdities. I’d like to be instrumental in deepening our awareness and appreciation of the fullness of life, including its complexities, ambiguities, and paradoxes. I draw and paint on an iPad with an Apple Pencil or my fingers using a variety of drawing/painting apps; although, I still work in wood and clay as well. iPads are portable and versatile, require little set up, and there’s no clean up. They’re the perfect medium for what I do. I can quickly convert ideas into illustrations and share them or time-lapse videos of them on social media. I can also prepare the images for printing on metal, paper, and canvas surfaces in a variety of sizes. BIOGRAPHY: Paul Longo has lived a relatively unconventional life. In his youth, he plowed through dyslexia (before teachers had ever heard of it) and learned that there is, indeed, more than meets the eye. In college, he read Don Quijote in Spanish for the first time and discovered an interest in anthropology. He went on to complete 3 graduate degrees and has lived and worked in 7 countries and 9 states since then. Paul has taught anthropology, education, Spanish, research and evaluation methods, and ESL at 6 different universities. These days he teaches digital art to adults with developmental disabilities and non-credit ESL to adults at a local community college. Paul was also a Benedictine monk and lived in a monastery for nearly 8 years, until he met and married his wife. Together they were survivors of Hurricane Katrina as residents of New Orleans. But it was not until 2013, while living in a downtown loft in Des Moines, Iowa, that Paul complained to his wife, a CIO in higher education, about not having either a basement or a garage in which to make art. A few days later she gave Paul her old iPad with an installed drawing app and said, “here’s a studio for your lap.” Since then, not only have iPads become larger and more powerful, but the number of drawing and painting apps has increased and each one offers a unique set of features to create original artwork. Nowadays, Paul takes his "studio” everywhere he goes. Throughout his eclectic journey, Paul has created and shared his art to make sense of the world, to give voice to new identities and experiences, and to engage more intentionally with others. To view more of Paul Longo’s works, digital and otherwise, visit his social media sites: www.portfoliolongo.com, twitter, YouTube, Instagram: @plongeaux, Facebook: Paul J. Longo

Get out the Word

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Day #190 of the Fiasco

Nothing to say; except that I wish education had a greater impact than propaganda.

Click on image to enlarge, why bother?

Two Digital Selfies

I did this photo-referenced self portrait a day before my left-eye cataract surgery in Art Set Pro, an iPad painting app that I hardly ever use. Here’s how it came out:

I was curious how it would look after a little tweaking in iColorama, in particular, by adding a pixelating effect. Here’s how that turned out:

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Then the day of the procedure, when I was barely able to see or stay awake, I did a similar self portrait, this time in Paper 53; and this is how that turned out:

Since I like the pixelating effect so much, I subjected the image to the same tweaking as the image above.

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What do you think?

Ofie…and Yoga

Back in March of 2014 I illustroblogged about Ofelia or Ofie, click here for that; but, I thought I’d take another, rough stab at sketching her – from a grainy photo I snapped with my iPhone after practice one day – since she’s played such a pivotal role in my breathing, movement, and core in the last 3 1/2 years.

I’ve posted more than 30 digital drawings, paintings, and cartoons about being a beginner yogi, going back to the first months of portfoliolongo. If you’re so inclined, and willing to click on “older posts” several times at the bottom of the webpages, please click here to see all posts tagged “yoga.” Some are more serious than others, but I take my practice very seriously.

Please feel free to leave a comment if you have something to say about yoga or anything related to breathing in the living moment.

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Merced Art Hop Flyer Artwork – July 15, 2017

It’s a few days after the fact, but I thought I’d post a story about how one of my digital paintings became the poster/flyer for the Merced Art Hop, July 15, 2017. It all started back in May of this year (2107), when Kevin Hammon, one of the two founders of Art Hop, click here for details, contacted me and asked if I’d put together a drawing for the flyer for the upcoming July Art Hop. Kevin and Kimberly Zamora hadn’t ever asked an Art Hop artist to do the artwork for the Art Hop flyers; they wondered if I’d be interested in the opportunity to do something to convey “…the July Art Hop theme:’Environment & Renewable Energy’….” Indeed, I was interested and excited; but, it took me a few days to get back to Kevin. In a subsequent phone conversation Kevin elaborated on the renewable-energy theme and listed a few of the energy sponsors, and right away an image came to mind. Within minutes I cranked out the following in Tayasui Sketches (the actual Art Hop Flyer flyer can be found below the original,artwork):

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Click on image to enlarge.

What a treat, especially since I was a Merced Art Hop artist, stationed at Cue Spot Billiards, at this quarterly event on July 15, 2017.

Back to the Digital Drawing Board

Image

Drawing bored?

I started this Paper 53 piece last evening while stationed – along with 5 other Art Hop artists – at Cue Spot Billiards in downtown Merced, CA. The emotion that I wanted to convey was linked to my finding out that none of my digital painting entrees was selected by jurors for inclusion into this year’s top one hundred at the Mobile and Digital Arts and Creativity Summit (mDAC) 2017. You may recall that I had a piece selected in mDAC 2016 and one in mDAC 2015. This year’s winners are really awesome, click here to take a peek. So, I’m a little disappointed; but, I’m using the development as an opportunity to re-evaluate my artistic vision as part of the coaching and rebranding process that I’m currently engaged in. In that process I’m trying to articulate not so much what I do, or even how I do what I do, but rather why I do it. I’m having some insights, thanks to Adam James Butcher’s coaching process. So let me go back to piecing together some things and dismantling others.

Thinking about Hannah Arendt

…and what happens in the absence of genuine education, when propaganda and marketing hollow out one’s voice… [prompted by this article shared by a friend]

“The constant lying is not aimed at making the people believe a lie, but at ensuring that no one believes anything anymore. A people that can no longer distinguish between truth and lies cannot distinguish between right and wrong. And such a people, deprived of the power to think and judge, is, without knowing and willing it, completely subjected to the rule of lies.
With such a people, you can do whatever you want.”

—Hannah Arendt, German historian and philosopher (1906–1975)

Reference photo source: click here.

Crafting a Creative Story … About Me

I mentioned in a blog post last month that I had begun a process, which I said I would elaborate on in detail at some point. Well, I’m not going to elaborate on that just yet, but I will say that one of the goals of the process is for me to be able to have something coherent to say “about me.” I will also say that I’m working with Adam James Butcher, artist and coach. So in the spirit of showing my work, when it comes to this sort of work in progresss, here’s a one minute, thirty-one second video that I did in Videoshop that represents a draft “illustrated about-me statement” that I hope to improve upon. Your feedback, as usual, is welcome. Please feel free to chime in on this or any other post.

A byproduct of this process is my ABOUT page.

Andrew has never been the same ever since

A rite of passage, a transition ceremony of sorts! Andrew’s identity changed when he left the group of non-shoe tyers and became a member of the shoe-tyers group.

Click on image to enlarge it. Incidentally, this actually happened in the mid 1990s, a couple of years after completing my doctorate, and it encapsulated in a single episode my sociolinguistically-oriented dissertation research in a bilingual Kindergarten classroom near Washington, DC in the mid 1990s that was undergoing a reform of its mathematics curriculum. Learning is identity change. Andrew has never been the same ever since!

A guy like that with hair and a tie like that

A guy like that with hair and a tie like that…iPad Pro, Apple Pencil, Procreate, iColorama (paper texture)

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